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CD
5394412
Jerome Kern Songbook -
von Various Artists
erschienen am 21.03.2003
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Inhalt
| Track | Titel | Komponist | Interpret | Dauer |
|---|---|---|---|---|
| 1-001 | A Fine Romance | Komponist: Kern, Jerome; Fields, Dorothy Produzent: Granz, Norman | Solo: Fitzgerald, Ella; Armstrong, Louis Gitarre: Ellis, Herb Klavier: Peterson, Oscar Schlagzeug (drums): Bellson, Louis Kontrabaß: Brown, Ray | |
| 1-001-001 | A Fine Romance | Komponist: Jerome Kern; Dorothy Fields Produzent: Norman Granz | Solo: Ella Fitzgerald; Louis Armstrong Gitarre: Herb Ellis Klavier: Oscar Peterson Schlagzeug (drums): Louis Bellson Kontrabaß: Ray Brown | |
| 1-002 | Let's Begin | Komponist: Kern, Jerome; Otto Harbach | Solo: Whiting, Margaret Dirigent / Band Leader: Garcia, Russell Orchester (Instrumentalensemble / Sinfonieorchester): Russell Garcia & His Orchestra | |
| 1-002-001 | Let's Begin | Komponist: Jerome Kern; Otto Harbach | Solo: Margaret Whiting Dirigent / Band Leader: Russell Garcia Orchester (Instrumentalensemble / Sinfonieorchester): Russell Garcia & His Orchestra | |
| 1-003 | Smoke Gets in Your Eyes | Komponist: Kern, Jerome; Otto Harbach | Solo: Eckstine, Billy Klavier: Bobby Tucker | |
| 1-003-001 | Smoke Gets in Your Eyes | Komponist: Jerome Kern; Otto Harbach | Solo: Billy Eckstine Klavier: Bobby Tucker | |
| 1-004 | Bill | Komponist: Kern, Jerome; P. G. Wodehouse; Oscar Hammerstein II | Solo: King, Morgana Gitarre: Barry Galbraith Klavier: Harvey Leonard Schlagzeug (drums): Ralph Pollack Kontrabaß: Furtado, Ernie | |
| 1-004-001 | Bill | Komponist: Jerome Kern; P. G. Wodehouse; Oscar Hammerstein II | Solo: Morgana King Gitarre: Barry Galbraith Klavier: Harvey Leonard Schlagzeug (drums): Ralph Pollack Kontrabaß: Ernie Furtado | |
| 1-005 | I'm Old Fashioned | Komponist: Kern, Jerome; Mercer, Johnny | Solo: Wilson, Cassandra Klavier: Miller, Mulgrew Schlagzeug (drums): Carrington, Terri Lyne Kontrabaß: Plaxico, Lonnie | |
| 1-005-001 | I'm Old Fashioned | Komponist: Jerome Kern; Johnny Mercer | Solo: Cassandra Wilson Klavier: Mulgrew Miller Schlagzeug (drums): Terri Lyne Carrington Kontrabaß: Lonnie Plaxico | |
| 1-006 | All The Things You Are | Komponist: Oscar Greeley Clendenning Hammerstein II; Jerome David Kern | Solo: Vaughan, Sarah Dirigent / Band Leader: Hal Mooney Orchester (Instrumentalensemble / Sinfonieorchester): Hal Mooney and His Orchestra | |
| 1-006-001 | All The Things You Are | Komponist: Oscar Greeley Clendenning Hammerstein II; Jerome David Kern | Solo: Sarah Vaughan Dirigent / Band Leader: Hal Mooney Orchester (Instrumentalensemble / Sinfonieorchester): Hal Mooney and His Orchestra | |
| 1-007 | The Folks Who Live On The Hill | Komponist: Kern, Jerome; Oscar Hammerstein II | Solo: Prysock, Arthur | |
| 1-007-001 | The Folks Who Live On The Hill | Komponist: Jerome Kern; Oscar Hammerstein II | Solo: Arthur Prysock | |
| 1-008 | I Won't Dance | Komponist: McHugh, Jimmy; Otto Harbach; Kern, Jerome; Fields, Dorothy; Oscar Greeley Clendenning Hammerstein II | Solo: Dearie, Blossom Gitarre: Ellis, Herb Klavier: Dearie, Blossom Schlagzeug (drums): Jones, Jo Kontrabaß: Brown, Ray | |
| 1-008-001 | I Won't Dance | Komponist: Jimmy McHugh; Otto Harbach; Jerome Kern; Dorothy Fields; Oscar Greeley Clendenning Hammerstein II | Solo: Blossom Dearie Gitarre: Herb Ellis Klavier: Blossom Dearie Schlagzeug (drums): Jo Jones Kontrabaß: Ray Brown | |
| 1-009 | They Didn't Believe Me | Komponist: Jerome David Kern; Herbert Reynolds | Solo: Washington, Dinah Dirigent / Band Leader: Jones, Quincy Orchester (Instrumentalensemble / Sinfonieorchester): Quincy Jones & His Orchestra | |
| 1-009-001 | They Didn't Believe Me | Komponist: Jerome David Kern; Herbert Reynolds | Solo: Dinah Washington Dirigent / Band Leader: Quincy Jones Orchester (Instrumentalensemble / Sinfonieorchester): Quincy Jones & His Orchestra | |
| 1-010 | I'll Be Hard To Handle | Komponist: Kern, Jerome; Bernard Dougall | Solo: Fitzgerald, Ella Dirigent / Band Leader: Riddle, Nelson Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 1-010-001 | I'll Be Hard To Handle | Komponist: Jerome Kern; Bernard Dougall | Solo: Ella Fitzgerald Dirigent / Band Leader: Nelson Riddle Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 1-011 | The Way You Look Tonight | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Astaire, Fred Gitarre: Kessel, Barney Klavier: Peterson, Oscar Schlagzeug (drums): Alvin Stoller Kontrabaß: Brown, Ray | |
| 1-011-001 | The Way You Look Tonight | Komponist: Jerome Kern; Dorothy Fields | Solo: Fred Astaire Gitarre: Barney Kessel Klavier: Oscar Peterson Schlagzeug (drums): Alvin Stoller Kontrabaß: Ray Brown | |
| 1-012 | Yesterdays | Komponist: Jerome David Kern Textdichter: Otto Harbach | Solo: Merrill, Helen Klavier: Kühn, Joachim Schlagzeug (drums): Humair, Daniel Kontrabaß: Jenny-Clark, Jean-François Saxophon: Getz, Stan | |
| 1-012-001 | Yesterdays | Komponist: Jerome David Kern Textdichter: Otto Harbach | Solo: Helen Merrill Klavier: Joachim Kühn Schlagzeug (drums): Daniel Humair Kontrabaß: Jean-Francois Jenny-Clark Saxophon: Stan Getz | |
| 1-013 | Pick Yourself Up | Komponist: Kern, Jerome; Fields, Dorothy | Solo: O'Day, Anita Gitarre: Kessel, Barney Klavier: Smith, Paul Schlagzeug (drums): Alvin Stoller Kontrabaß: Joe Mondragon Xylophon: Bunker, Larry | |
| 1-013-001 | Pick Yourself Up | Komponist: Jerome Kern; Dorothy Fields | Solo: Anita O'Day Gitarre: Barney Kessel Klavier: Paul Smith Schlagzeug (drums): Alvin Stoller Kontrabaß: Joe Mondragon Xylophon: Larry Bunker | |
| 1-014 | Why Do I Love You? | Komponist: Kern, Jerome; Oscar Hammerstein II | Solo: Whiting, Margaret Dirigent / Band Leader: Garcia, Russell Orchester (Instrumentalensemble / Sinfonieorchester): Russell Garcia & His Orchestra | |
| 1-014-001 | Why Do I Love You? | Komponist: Jerome Kern; Oscar Hammerstein II | Solo: Margaret Whiting Dirigent / Band Leader: Russell Garcia Orchester (Instrumentalensemble / Sinfonieorchester): Russell Garcia & His Orchestra | |
| 1-015 | The Way You Look Tonight | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Fitzgerald, Ella Dirigent / Band Leader: Riddle, Nelson Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 1-015-001 | The Way You Look Tonight | Komponist: Jerome Kern; Dorothy Fields | Solo: Ella Fitzgerald Dirigent / Band Leader: Nelson Riddle Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 1-016 | A Fine Romance | Komponist: Fields, Dorothy; Kern, Jerome | Solo: Holiday, Billie Gitarre: Kessel, Barney Klavier: Rowles, Jimmy Schlagzeug (drums): Bunker, Larry Trompete: Edison, Harry "Sweets" Kontrabaß: John Simmons Saxophon: Carter, Benny | |
| 1-016-001 | A Fine Romance | Komponist: Dorothy Fields; Jerome Kern | Solo: Billie Holiday Gitarre: Barney Kessel Klavier: Jimmy Rowles Schlagzeug (drums): Larry Bunker Trompete: Harry "Sweets" Edison Kontrabaß: John Simmons Saxophon: Benny Carter | |
| 2-001 | All The Things You Are | Komponist: Oscar Greeley Clendenning Hammerstein II; Jerome David Kern | Solo: Fitzgerald, Ella Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 2-001-001 | All The Things You Are | Komponist: Oscar Greeley Clendenning Hammerstein II; Jerome David Kern | Solo: Ella Fitzgerald Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 2-002 | Why Was I Born? | Komponist: Kern, Jerome; Oscar Hammerstein II Arrangeur: Ogerman, Claus | Solo: Prysock, Arthur Dirigent / Band Leader: Joe Cain Trompete: Royal, Ernie; Carl Poole Posaune: Tom Mitchell; Paul Faulise | |
| 2-002-001 | Why Was I Born? | Komponist: Jerome Kern; Oscar Hammerstein II Arrangeur: Claus Ogerman | Solo: Arthur Prysock Dirigent / Band Leader: Joe Cain Trompete: Ernie Royal; Carl Poole Posaune: Tom Mitchell; Paul Faulise | |
| 2-003 | Dearly Beloved | Komponist: Kern, Jerome Textdichter: Mercer, Johnny | Solo: Merrill, Helen Gitarre: Fred Rundquist Klavier: Dick Marx Schlagzeug (drums): Jerry Slosberg Kontrabaß: Frigo, Johnny | |
| 2-003-001 | Dearly Beloved | Komponist: Jerome Kern Textdichter: Johnny Mercer | Solo: Helen Merrill Gitarre: Fred Rundquist Klavier: Dick Marx Schlagzeug (drums): Jerry Slosberg Kontrabaß: Johnny Frigo | |
| 2-004 | Smoke Gets in Your Eyes | Komponist: Otto Harbach; Kern, Jerome | Solo: Vaughan, Sarah Orchester (Instrumentalensemble / Sinfonieorchester): Count Basie And His Orchestra | |
| 2-004-001 | Smoke Gets in Your Eyes | Komponist: Otto Harbach; Jerome Kern | Solo: Sarah Vaughan Orchester (Instrumentalensemble / Sinfonieorchester): Count Basie And His Orchestra | |
| 2-005 | Remind Me | Komponist: Fields, Dorothy | Solo: Fitzgerald, Ella Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 2-005-001 | Remind Me | Komponist: Dorothy Fields | Solo: Ella Fitzgerald Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 2-006 | A Fine Romance | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Williams, Joe Klavier: Basie, Count Orchester (Instrumentalensemble / Sinfonieorchester): Count Basie And His Orchestra | |
| 2-006-001 | A Fine Romance | Komponist: Jerome Kern; Dorothy Fields | Solo: Joe Williams Klavier: Count Basie Orchester (Instrumentalensemble / Sinfonieorchester): Count Basie And His Orchestra | |
| 2-007 | Let's Begin | Komponist: Kern, Jerome; Otto Harbach | Solo: Cain, Jackie Klavier: Kral, Roy Schlagzeug (drums): Don McDonald Kontrabaß: Don Payne | |
| 2-007-001 | Let's Begin | Komponist: Jerome Kern; Otto Harbach | Solo: Jackie Cain Klavier: Roy Kral Schlagzeug (drums): Don McDonald Kontrabaß: Don Payne | |
| 2-008 | They Didn't Believe Me | Komponist: Jerome David Kern; Herbert Reynolds | Solo: Anderson, Ernestine Orchester (Instrumentalensemble / Sinfonieorchester): Ernie Wilkens Orchestra | |
| 2-008-001 | They Didn't Believe Me | Komponist: Jerome David Kern; Herbert Reynolds | Solo: Ernestine Anderson Orchester (Instrumentalensemble / Sinfonieorchester): Ernie Wilkens Orchestra | |
| 2-009 | The Way You Look Tonight | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Whiting, Margaret Orchester (Instrumentalensemble / Sinfonieorchester): Russ Garcia's Orchestra | |
| 2-009-001 | The Way You Look Tonight | Komponist: Jerome Kern; Dorothy Fields | Solo: Margaret Whiting Orchester (Instrumentalensemble / Sinfonieorchester): Russ Garcia's Orchestra | |
| 2-010 | Lovely To Look At | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Astaire, Fred Gitarre: Kessel, Barney Klavier: Peterson, Oscar Schlagzeug (drums): Alvin Stoller Kontrabaß: Brown, Ray | |
| 2-010-001 | Lovely To Look At | Komponist: Jerome Kern; Dorothy Fields | Solo: Fred Astaire Gitarre: Barney Kessel Klavier: Oscar Peterson Schlagzeug (drums): Alvin Stoller Kontrabaß: Ray Brown | |
| 2-011 | I Won't Dance | Komponist: McHugh, Jimmy; Oscar Greeley Clendenning Hammerstein II; Fields, Dorothy; Kern, Jerome; Otto Harbach | Solo: Armstrong, Louis; Fitzgerald, Ella Gitarre: Ellis, Herb Klavier: Peterson, Oscar Schlagzeug (drums): Bellson, Louis Kontrabaß: Brown, Ray | |
| 2-011-001 | I Won't Dance | Komponist: Jimmy McHugh; Oscar Greeley Clendenning Hammerstein II; Dorothy Fields; Jerome Kern; Otto Harbach | Solo: Louis Armstrong; Ella Fitzgerald Gitarre: Herb Ellis Klavier: Oscar Peterson Schlagzeug (drums): Louis Bellson Kontrabaß: Ray Brown | |
| 2-012 | You Couldn't Be Cuter | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Whiting, Margaret Orchester (Instrumentalensemble / Sinfonieorchester): Russ Garcia's Orchestra | |
| 2-012-001 | You Couldn't Be Cuter | Komponist: Jerome Kern; Dorothy Fields | Solo: Margaret Whiting Orchester (Instrumentalensemble / Sinfonieorchester): Russ Garcia's Orchestra | |
| 2-013 | Yesterdays | Komponist: Jerome David Kern Textdichter: Otto Harbach | Solo: Holiday, Billie Gitarre: Green, Freddie Schlagzeug (drums): Gus Johnson Trompete: Newman, Joe Kontrabaß: Brown, Ray Saxophon: Quinichette, Paul Orgel: Peterson, Oscar | |
| 2-013-001 | Yesterdays | Komponist: Jerome David Kern Textdichter: Otto Harbach | Solo: Billie Holiday Gitarre: Freddie Green Schlagzeug (drums): Gus Johnson Trompete: Joe Newman Kontrabaß: Ray Brown Saxophon: Paul Quinichette Orgel: Oscar Peterson | |
| 2-014 | The Song Is You | Komponist: Jerome David Kern; Oscar Hammerstein II | Solo: Crosby, Bing Orchester (Instrumentalensemble / Sinfonieorchester): Buddy Bregman Orchestra | |
| 2-014-001 | The Song Is You | Komponist: Jerome David Kern; Oscar Hammerstein II | Solo: Bing Crosby Orchester (Instrumentalensemble / Sinfonieorchester): Buddy Bregman Orchestra | |
| 2-015 | Pick Yourself Up | Komponist: Kern, Jerome; Fields, Dorothy | Solo: Fitzgerald, Ella Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 2-015-001 | Pick Yourself Up | Komponist: Jerome Kern; Dorothy Fields | Solo: Ella Fitzgerald Orchester (Instrumentalensemble / Sinfonieorchester): Nelson Riddle & His Orchestra | |
| 2-016 | She Didn't Say Yes | Komponist: Otto Harbach; Kern, Jerome | Solo: Whiting, Margaret Orchester (Instrumentalensemble / Sinfonieorchester): Russ Garcia's Orchestra | |
| 2-016-001 | She Didn't Say Yes | Komponist: Otto Harbach; Jerome Kern | Solo: Margaret Whiting Orchester (Instrumentalensemble / Sinfonieorchester): Russ Garcia's Orchestra | |
| 3-001 | The Song Is You | Komponist: Oscar Hammerstein II; Jerome David Kern | Gitarre: Ellis, Herb Klavier: Peterson, Oscar Schlagzeug (drums): Rich, Buddy Posaune: Harris, Bill Kontrabaß: Brown, Ray Saxophon: Carter, Benny | |
| 3-001-001 | The Song Is You | Komponist: Oscar Hammerstein II; Jerome David Kern | Gitarre: Herb Ellis Klavier: Oscar Peterson Schlagzeug (drums): Buddy Rich Posaune: Bill Harris Kontrabaß: Ray Brown Saxophon: Benny Carter | |
| 3-002 | Nobody Else But Me | Komponist: Jerome David Kern; Oscar Hammerstein II | Klavier: Jimmie Rowles Schlagzeug (drums): Roach, Max Kontrabaß: Bob Whitlock Saxophon: Getz, Stan | |
| 3-002-001 | Nobody Else But Me | Komponist: Jerome David Kern; Oscar Hammerstein II | Klavier: Jimmie Rowles Schlagzeug (drums): Max Roach Kontrabaß: Bob Whitlock Saxophon: Stan Getz | |
| 3-003 | Smoke Gets in Your Eyes | Komponist: Kern, Jerome; Otto Harbach | Gitarre: Barry Galbraith Klavier: Richie Powell Dirigent / Band Leader: Hefti, Neal Schlagzeug (drums): Roach, Max Trompete: Brown, Clifford Kontrabaß: George Morrow | |
| 3-003-001 | Smoke Gets in Your Eyes | Komponist: Jerome Kern; Otto Harbach | Gitarre: Barry Galbraith Klavier: Richie Powell Dirigent / Band Leader: Neal Hefti Schlagzeug (drums): Max Roach Trompete: Clifford Brown Kontrabaß: George Morrow | |
| 3-004 | All The Things You Are | Komponist: Jerome David Kern; Oscar Greeley Clendenning Hammerstein II | Gitarre: Farlow, Tal Klavier: Costa, Eddie Schlagzeug (drums): Campbell, Jimmy Kontrabaß: Bill Tackus | |
| 3-004-001 | All The Things You Are | Komponist: Jerome David Kern; Oscar Greeley Clendenning Hammerstein II | Gitarre: Tal Farlow Klavier: Eddie Costa Schlagzeug (drums): Jimmy Campbell Kontrabaß: Bill Tackus | |
| 3-005 | The Last Time I Saw Paris | Komponist: Jerome David Kern; Oscar Hammerstein II | Klavier: Powell, Bud | |
| 3-005-001 | The Last Time I Saw Paris | Komponist: Jerome David Kern; Oscar Hammerstein II | Klavier: Bud Powell | |
| 3-006 | Why Do I Love You? | Komponist: Kern, Jerome; Oscar Hammerstein II | Klavier: Walter Bishop Jr. Schlagzeug (drums): Haynes, Roy Percussion: José Luis Mangual Kontrabaß: Kotick, Teddy Saxophon: Parker, Charlie; Luis Miranda | |
| 3-006-001 | Why Do I Love You? | Komponist: Jerome Kern; Oscar Hammerstein II | Klavier: Walter Bishop Jr. Schlagzeug (drums): Roy Haynes Percussion: José Luis Mangual Kontrabaß: Teddy Kotick Saxophon: Charlie Parker; Luis Miranda | |
| 3-007 | Pick Yourself Up | Komponist: Fields, Dorothy; Kern, Jerome | Orchester (Instrumentalensemble / Sinfonieorchester): George Shearing Quintet | |
| 3-007-001 | Pick Yourself Up | Komponist: Dorothy Fields; Jerome Kern | Orchester (Instrumentalensemble / Sinfonieorchester): George Shearing Quintet | |
| 3-008 | Long Ago and Far Away | Komponist: Jerome David Kern Textdichter: Gershwin, Ira | Gitarre: Paul Weeden Schlagzeug (drums): Billy James Saxophon: Stitt, Sonny; Ammons, Gene Orgel: Patterson, Don | |
| 3-008-001 | Long Ago and Far Away | Komponist: Jerome David Kern Textdichter: Ira Gershwin | Gitarre: Paul Weeden Schlagzeug (drums): Billy James Saxophon: Sonny Stitt; Gene Ammons Orgel: Don Patterson | |
| 3-009 | Yesterdays | Komponist: Jerome David Kern Textdichter: Otto Harbach | Klavier: Tatum, Art | |
| 3-009-001 | Yesterdays | Komponist: Jerome David Kern Textdichter: Otto Harbach | Klavier: Art Tatum | |
| 3-010 | She Didn't Say Yes | Komponist: Otto Harbach; Kern, Jerome | Gitarre: Hy White Klavier: Bernie Leighton Schlagzeug (drums): Lee Abrams Trompete: Thomas, Joe Posaune: Tyree Glenn Kontrabaß: Taylor, Billy Saxophon: Hilton Jefferson; Jerome, Jerry | |
| 3-010-001 | She Didn't Say Yes | Komponist: Otto Harbach; Jerome Kern | Gitarre: Hy White Klavier: Bernie Leighton Schlagzeug (drums): Lee Abrams Trompete: Joe Thomas Posaune: Tyree Glenn Kontrabaß: Billy Taylor Saxophon: Hilton Jefferson; Jerry Jerome | |
| 3-011 | I'm Old Fashioned | Komponist: Kern, Jerome; Mercer, Johnny | Klavier: Jimmie Rowles Schlagzeug (drums): Larance Marable Kontrabaß: Mitchell, Red Saxophon: Giuffre, Jimmy | |
| 3-011-001 | I'm Old Fashioned | Komponist: Jerome Kern; Johnny Mercer | Klavier: Jimmie Rowles Schlagzeug (drums): Larance Marable Kontrabaß: Red Mitchell Saxophon: Jimmy Giuffre | |
| 3-012 | The Way You Look Tonight | Komponist: Kern, Jerome; Fields, Dorothy | Klavier: Ball, Ronnie Schlagzeug (drums): Eddie Locke Trompete: Eldridge, Roy Kontrabaß: Benny Morton | |
| 3-012-001 | The Way You Look Tonight | Komponist: Jerome Kern; Dorothy Fields | Klavier: Ronnie Ball Schlagzeug (drums): Eddie Locke Trompete: Roy Eldridge Kontrabaß: Benny Morton | |
| 3-013 | Who | Komponist: Kern, Jerome; Oscar Hammerstein II | Klavier: Garner, Erroll | |
| 3-013-001 | Who | Komponist: Jerome Kern; Oscar Hammerstein II | Klavier: Erroll Garner | |
| 3-014 | The Folks Who Live On The Hill | Komponist: Kern, Jerome; Oscar Hammerstein II | Klavier: Johansson, Jan Schlagzeug (drums): William Schiopffe Kontrabaß: Daniel Jordan Saxophon: Getz, Stan | |
| 3-014-001 | The Folks Who Live On The Hill | Komponist: Jerome Kern; Oscar Hammerstein II | Klavier: Jan Johansson Schlagzeug (drums): William Schiopffe Kontrabaß: Daniel Jordan Saxophon: Stan Getz | |
| 3-015 | A Fine Romance | Komponist: Kern, Jerome; Fields, Dorothy | Gitarre: Kessel, Barney Klavier: Jimmie Rowles Schlagzeug (drums): Bobby White Trompete: Edison, Harry "Sweets" Klarinette: DeFranco, Buddy Kontrabaß: Bob Stone | |
| 3-015-001 | A Fine Romance | Komponist: Jerome Kern; Dorothy Fields | Gitarre: Barney Kessel Klavier: Jimmie Rowles Schlagzeug (drums): Bobby White Trompete: Harry "Sweets" Edison Klarinette: Buddy DeFranco Kontrabaß: Bob Stone | |
| 3-016 | Ol' Man River | Komponist: Oscar Hammerstein II; Jerome David Kern | Klavier: Peterson, Oscar Schlagzeug (drums): Thigpen, Ed Kontrabaß: Brown, Ray | |
| 3-016-001 | Ol' Man River | Komponist: Oscar Hammerstein II; Jerome David Kern | Klavier: Oscar Peterson Schlagzeug (drums): Ed Thigpen Kontrabaß: Ray Brown |
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