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CD
88843013332
Pierre Boulez - The Compl. Columbia Album Collection
von Various | Boulez, Pierre
erschienen am 17.10.2014
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195,00 €
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Der Paketversand in Deutschland bis 31 kg ist versandkostenfrei
(3,- EUR Versandkostenbeteiligung bei Bestellungen bis 50,- EUR im Bereich Tonträger, Noten und Bücher - bei Musikinstrumenten bis 50,- EUR beträgt die Beteiligung 5,- EUR),
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Paket-Versand ins EU-Ausland bis 2 kg EUR 15,-
Paket-Versand ins Ausland pauschal EUR 25,-,
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Der Paketversand erfolgt mit DHL.
Bei Kauf von Digitalpianos und größeren Keyboards liefern wir deutschlandweit mit eigenem Transporter (bis 50km) oder Spedition frei Haus, Ausland pauschal 150,- EUR.
Pianos und Flügel liefern wir deutschlandweit frei Haus! Ins EU-Ausland liefern wir Pianos und Flügel für pauschal 250,- EUR. Lieferungen darüber hinaus (z.B. ins nicht EU-Ausland) erfolgen zum Selbstkostenpreis.
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Inhalt
Reinhören | Track | Titel | Komponist | Interpret | Dauer |
---|---|---|---|---|---|
► | 1-001 | Wozzeck, Op. 7 From the drama by George Buchner (Beginning) | Komponist: Berg, Alban | Sopran: Strauss, Isabel Orchestra & Chorus of the Paris National Opera Tenor: Weikenmeier, Albert Baßbariton: Berry, Walter; Dönch, Carl Rock / Pop - Band (instrumental): Boulez, Pierre | |
1-001-001 | Scene 1 - The Captain's room | 00:09:03 | |||
1-002-002 | Scene 2 - An open field outside the town | 00:07:34 | |||
1-003-003 | Scene 3 - Marie's room | 00:08:40 | |||
1-004-004 | Scene 4 - The Doctor's study | 00:07:48 | |||
1-005-005 | Scene 5 - Street before Marie's door | 00:02:58 | |||
► | 2-001 | Wozzeck, Op. 7 From the drama by George Buchner (Conclusion) | Komponist: Berg, Alban | Sopran: Strauss, Isabel Tenor: Weikenmeier, Albert Baßbariton: Berry, Walter; Dönch, Carl Rock / Pop - Band (instrumental): Boulez, Pierre | |
2-001-001 | Scene 1 - Marie's room | 00:05:37 | |||
2-002-002 | Scene 2 - Street in town | 00:10:07 | |||
2-003-003 | Scene 3 - Street before Marie's door | 00:04:40 | |||
2-004-004 | Scene 4 - Tavern garden | 00:10:30 | |||
2-005-005 | Scene 5- Guardroom in the barracks | 00:04:22 | |||
2-006-006 | Scene 1 - Marie's room | 00:05:00 | |||
2-007-007 | Scene 2 - Forest path by a pool | 00:05:15 | |||
2-008-008 | Scene 3 - A low tavern | 00:03:02 | |||
2-009-009 | Scene 4 - Forest path by a pool | 00:04:48 | |||
2-010-010 | Scene 5 - Street before Marie's door | 00:05:15 | |||
► | 3-001 | Et Exspecto Resurrectionem Mortuorum | Komponist: Messiaen, Olivier | Groupe Instrumental a percussion de Stra sbourg / Orchestre Du Domaine Musical Rock / Pop - Band (instrumental): Boulez, Pierre | |
3-001-001 | I. Des profondeurs de l'abime, je crie vers toi, Seigneur; Seigneur, ecoute ma voix! (Psalm 130: 1, 2) | 00:03:43 | |||
3-002-002 | II. Le Christ, ressuscite des morts, ne meurt plus; la mort n'a plus sur lui d'empire. (Romans VI: 9) | 00:05:30 | |||
3-003-003 | III. L'heure vient ou les morts entendront la voix du Fils de Dieu. (St. John V: 25) | 00:05:04 | |||
3-004-004 | IV. Ils ressusciteront, glorieux, avec un nom nouveau dans le concert joyeux des etoiles... (I Corinthians XV: 43; Revel | 00:08:49 | |||
3-005-005 | V. Et j'entendis la voix d'une foule immense... (Revelations XIX: 6) | 00:06:45 | |||
► | 3-006 | Couleurs de la Cite Celeste | Komponist: Messiaen, Olivier | Klavier: Loriod, Yvonne Rock / Pop - Band (instrumental): Boulez, Pierre | 00:17:00 |
► | 4-001 | La Mer | Komponist: Debussy, Claude | New Philharmonia Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
4-001-001 | I. De l'aube a midi sur la mer | 00:08:48 | |||
4-002-002 | II. Jeux de vagues | 00:07:17 | |||
4-003-003 | III. Dialogue du vent et de la mer | 00:07:34 | |||
► | 4-004 | Prelude a l'apres-midi d'un faune | Komponist: Debussy, Claude | New Philharmonia Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:09:42 |
► | 4-005 | Jeux | Komponist: Debussy, Claude | New Philharmonia Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:17:03 |
► | 5-001 | Symphonie Fantastique, op. 14 - Episode in the Life of an Artist | Komponist: Berlioz, Hector | Boulez, Pierre | |
5-001-001 | I. Reveries - Passions. Largo - Allegro agitato ed appassionato assai | 00:13:42 | |||
5-002-002 | II. Un bal. Valse. Allegro non troppo | 00:06:30 | |||
5-003-003 | III. Scene aux champs. Adagio | 00:14:59 | |||
5-004-004 | IV. Marche au supplice. Allegretto non troppo | 00:06:04 | |||
5-005-005 | V. Songe d'une nuit de Sabbat : Larghetto - Allegro | 00:03:51 | |||
5-006-006 | Dies irae | 00:02:13 | |||
5-007-007 | Ronde du Sabbat | 00:03:15 | |||
5-008-008 | Dies irae et Ronde du Sabbat ensemble | 00:01:59 | |||
► | 6-001 | Lelio, ou Le Retour a la vie, Op. 14b, Lyric Monodrama (Text: H Berlioz {2}: Goethe, French version by A. Duboys) | Komponist: Berlioz, Hector | Barrault, Jean-Louis / London Symphony Chorus / London Symphony Orchestra Tenor: Mitchinson, John Bariton: Shirley-Quirk, John Chorleiter: Alldis, John Rock / Pop - Band (instrumental): Boulez, Pierre | |
6-001-001 | 'Dieu! je vis encore...' (Lelio) | 00:02:01 | |||
6-002-002 | I. Le Pecheur / The Fisherman / Der Fischer (Horatio) | 00:05:30 | |||
6-003-003 | 'Etrange persistance d'un souvenir!' (Lelio) | 00:01:49 | |||
6-004-004 | II. Chouer d'ombres / Chorus of Shades / Geisterchor (Chorus) | 00:07:08 | |||
6-005-005 | 'O Shakespeare! Shakespeare! toi dont le premieres annees' (Lelio) | 00:02:34 | |||
6-006-006 | III. Chanson de Brigands / Song of Brigands / Rauberlied (Le Capitan, Chorus) | 00:03:51 | |||
6-007-007 | 'Comme mon esprit flotte incertain!' (Lelio) | 00:01:36 | |||
6-008-008 | IV. Chant de Bonheur / Song of Happiness / Gesang vom Gluck (La Voix imaginaire de Lelio) | 00:06:11 | |||
6-009-009 | 'Oh! Que ne puis-je la trouver' (Lelio) | 00:01:08 | |||
6-010-010 | V. La Harpe Eolienne - Souvenirs. / The Aeolian Harp -Souvenirs / Die Aolsharfe -Erinnerungen | 00:03:07 | |||
6-011-011 | 'Mais pourquo m'abandonner a ces dangereusus illusions?' (Lelio) | 00:03:59 | |||
6-012-012 | VI. Fantasie sur 'La Tempete' de Shakespeare / Shakespear's Fantasy on 'The Tempest' (Chorus) | 00:13:56 | |||
6-013-013 | 'Assez pour aujourd'hui!' (Lelio) | 00:01:10 | |||
► | 7-001 | Music for Strings, Percussion and Celesta (Sz 106) | Komponist: Bartók, Béla | BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
7-001-001 | I. Andante tranquillo | 00:08:00 | |||
7-002-002 | II. Allegro | 00:07:30 | |||
7-003-003 | III. Adagio | 00:07:44 | |||
7-004-004 | IV. Allegro molto | 00:06:45 | |||
► | 7-005 | The Firebird Suite (1910) - Instrumental | Komponist: Stravinsky, Igor Regisseur: Boulez, Pierre | BBC Symphony Orchestra | |
7-005-001 | I. Introduction; The Enchanted Garden of Kastchei and the Dance of the Firebird | 00:06:23 | |||
7-006-002 | II. The Firebird's Entreaties | 00:04:36 | |||
7-007-003 | III. The Princesses' Game with the Golden Apples | 00:02:38 | |||
7-008-004 | IV. The Princesses' Khorovod | 00:04:44 | |||
7-009-005 | V. Infernal Dance of all the subjects of Kastchei | 00:04:06 | |||
► | 8-001 | Chamber Concerto for Violin, Piano & 13 Wind Instruments - Instrumental | Arrangeur: Berg, Alban | BBC Symphony Orchestra / Boulez, Pierre Violine: Gawriloff, Sachko Klavier: Barenboim, Daniel Rock / Pop - Band (instrumental): Boulez, Pierre | |
8-001-001 | I. Thema scherzoso con Variazioni - Motto | 00:00:28 | |||
8-002-002 | Thema scherzoso | 00:01:15 | |||
8-003-003 | Variation I | 00:01:32 | |||
8-004-004 | Variation II (langsames Walzertempo) | 00:01:11 | |||
8-005-005 | Variation III (kräftig bewegt) | 00:01:08 | |||
8-006-006 | Variation IV (sehr rasch) | 00:00:43 | |||
8-007-007 | Variation V (Tempo primo) | 00:01:29 | |||
8-008-008 | II. Adagio | 00:13:07 | |||
8-009-009 | III. Rondo ritmico con Introduzione (Cadenza) - Introduzione | 00:02:46 | |||
8-010-010 | Rondo ritmico | 00:05:38 | |||
8-011-011 | Coda | 00:01:33 | |||
► | 8-012 | Three Pieces for Orchestra, Op. 6 - Instrumental | Arrangeur: Berg, Alban | BBC Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | |
8-012-001 | I. Präludium | 00:05:21 | |||
8-013-002 | II. Reigen | 00:05:36 | |||
8-014-003 | III. Marsch | 00:09:27 | |||
► | 8-015 | Altenberg Lieder, Op. 4 | Komponist: Berg, Alban | Sopran: Lukomska, Halina Rock / Pop - Band (instrumental): Boulez, Pierre | |
8-015-001 | I. Seele, wie bist du schöner | 00:02:49 | |||
8-016-002 | II. Sahst du nach dem Gewitterregen | 00:01:02 | |||
8-017-003 | III. Über die Grenzen des All | 00:01:33 | |||
8-018-004 | IV. Nichts ist gekommen | 00:01:28 | |||
8-019-005 | V. Hier ist Friede | 00:04:04 | |||
► | 9-001 | Images pour orchestre - Instrumental | Komponist: Debussy, Claude | Cleveland Orchestra, The Rock / Pop - Band (instrumental): Boulez, Pierre | |
9-001-001 | 1. Gigues | 00:07:38 | |||
9-002-002 | 2. Iberia: I. Par les rues et par les chemins | 00:07:07 | |||
9-003-003 | II. Les Parfums de la nuit | 00:08:11 | |||
9-004-004 | III. Le Matin d'un jour de fete | 00:04:25 | |||
9-005-005 | 3. Rondes de printemps | 00:08:05 | |||
► | 9-006 | Danses | Komponist: Debussy, Claude | Cleveland Orchestra, The / Chalifoux, Alice / Boulez, Pierre Harfe: Chalifoux, Alice Rock / Pop - Band (instrumental): Boulez, Pierre | |
9-006-001 | I. Danse sacree | 00:05:09 | |||
9-007-002 | II. Danse profane | 00:04:59 | |||
► | 10-001 | Le sacre du printemps (The Rite of Spring) - 1947 version | Komponist: Stravinsky, Igor | Cleveland Orchestra, The Rock / Pop - Band (instrumental): Boulez, Pierre | |
10-001-001 | Introduction - 1947 version | 00:03:36 | |||
10-002-002 | Danses des adolescentes - 1947 version | 00:03:20 | |||
10-003-003 | Jeu du rapt - 1947 version | 00:01:26 | |||
10-004-004 | Rondes printanieres - 1947 version | 00:03:53 | |||
10-005-005 | Jeux des cites rivales - 1947 version | 00:01:59 | |||
10-006-006 | Cortege du sage - 1947 version | 00:00:43 | |||
10-007-007 | L'Adoration de la terre - 1947 version | 00:00:21 | |||
10-008-008 | Danse de la terre - 1947 version | 00:01:20 | |||
10-009-009 | Introduction - 1947 version | 00:04:06 | |||
10-010-010 | Cercles mysterieux des adolescentes - 1947 version | 00:03:18 | |||
10-011-011 | Glorification de l'Elue - 1947 version | 00:01:32 | |||
10-012-012 | Evocation des ancetres - 1947 version | 00:00:35 | |||
10-013-013 | Action rituelle des ancetres - 1947 version | 00:03:42 | |||
10-014-014 | Danse sacrale - L'Elue - 1947 version | 00:04:38 | |||
► | 11-001 | Das klagende Lied - Vocal | Komponist: Mahler, Gustav | Sopran: Söderström, Elisabeth; Hoffman, Grace; Lear, Evelyn London Symphony Orchestra & Chorus / London Symphony Orchestra Tenor: Haefliger, Ernst; Burrows, Stuart Bariton: Nienstedt, Gerd Chorleiter: Oldham, Arthur Rock / Pop - Band (instrumental): Boulez, Pierre | |
11-001-001 | Part I - Waldmärchen - Vocal | 00:30:00 | |||
11-002-002 | Part II - Der Spielmann - Vocal | 00:19:39 | |||
11-003-003 | Part III - Hochzeitsstück - Vocal | 00:20:49 | |||
► | 12-001 | Symphony No. 5 in C Minor, Op. 67 | Komponist: Beethoven, Ludwig van | Rock / Pop - Band (instrumental): Boulez, Pierre | |
12-001-001 | I. Allegro con brio | 00:09:14 | |||
12-002-002 | II. Andante con moto | 00:10:08 | |||
12-003-003 | III. Allegro | 00:09:52 | |||
12-004-004 | IV. Finale Allegro | 00:09:26 | |||
► | 12-005 | Cantata - 'Calm Sea and Prosperous Voyage', Op. 112 | Komponist: Beethoven, Ludwig van | New Philharmonia Orchestra / Alldis, John, Choir Rock / Pop - Band (instrumental): Boulez, Pierre | 00:08:19 |
► | 12-006 | Symphony No. 10 - Adagio | Komponist: Mahler, Gustav | London Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:21:03 |
► | 13-001 | Pelleas Et Melisande Drame lyrique en 5 actes | Komponist: Debussy, Claude Textdichter: Maeterlinck, Maurice | Sopran: Söderström, Elisabeth Alt: Minton, Yvonne Countertenor: Britten, Anthony Tenor: Shirley, George Kontrabaß: Ward, David; Wicks, Dennis Bariton: McIntyre, Donald Chorleiter: Robinson, Douglas Rock / Pop - Band (instrumental): Boulez, Pierre | |
13-001-001 | ACTE I / ACT I : Scene I: Une foret / A forest | 00:12:26 | |||
13-002-002 | Scene II: Un appartement dans le chateau / A room in the castle | 00:10:18 | |||
13-003-003 | Scene III: Devant le chateau / In front of the castle | 00:06:42 | |||
13-004-004 | ACTE II / ACT II : Scene I: Une fontaine dans le parc / A fountain in the park | 00:10:10 | |||
13-005-005 | Scene II: Un appartement dans le chateau / A room in the castle | 00:13:31 | |||
13-006-006 | Scene III: Devant une grotte / Outside a sea-cave | 00:04:33 | |||
► | 14-001 | Pelleas Et Melisande Drame lyrique en 5 actes (continued) | Komponist: Debussy, Claude Textdichter: Maeterlinck, Maurice | Sopran: Söderström, Elisabeth Alt: Minton, Yvonne Countertenor: Britten, Anthony Tenor: Shirley, George Kontrabaß: Ward, David; Wicks, Dennis Bariton: McIntyre, Donald Chorleiter: Robinson, Douglas Rock / Pop - Band (instrumental): Boulez, Pierre | |
14-001-001 | ACTE III / ACT III : Scene I: Une des tours du chateau / One of the castles towers | 00:14:05 | |||
14-002-002 | Scene II: Les souterrains du chateau / The vaults of the castle | 00:04:33 | |||
14-003-003 | Scene III: Une terrasse au sortir des souterrains / A terrace at the entrance of the vaults | 00:05:08 | |||
14-004-004 | Scene IV: Devant le chateau / In front of the castle | 00:09:53 | |||
► | 15-001 | Pelleas Et Melisande Drame lyrique en 5 actes (continued) | Komponist: Debussy, Claude Textdichter: Maeterlinck, Maurice | Sopran: Söderström, Elisabeth Alt: Minton, Yvonne Countertenor: Britten, Anthony Tenor: Shirley, George Kontrabaß: Ward, David; Wicks, Dennis Bariton: McIntyre, Donald Chorleiter: Robinson, Douglas Rock / Pop - Band (instrumental): Boulez, Pierre | |
15-001-001 | ACTE IV / ACT IV : Scene I: Un appartement dans le chateau / A room in the castle | 00:03:15 | |||
15-002-002 | Scene II | 00:16:06 | |||
15-003-003 | Scene III: Une fontaine dans le parc / A fountain in the park | 00:03:59 | |||
15-004-004 | Scene IV | 00:14:40 | |||
15-005-005 | ACTE V / ACT V : Scene I: Une chambre dans le chateau / A room in the castle | 00:24:51 | |||
► | 16-001 | Pli Selon Pli ('fold according to fold') - Voice | Komponist: Boulez, Pierre | Sopran: Lukomska, Halina BBC Symphony Orchestra / Boulez, Pierre Gitarre: Stingl, Paul Klavier: Bergmann, Maria Mandoline: D'Alton, Hugo Rock / Pop - Band (instrumental): Boulez, Pierre | |
16-001-001 | I. Don | 00:14:13 | |||
16-002-002 | II. Improvisation sur Mallarme I | 00:05:00 | |||
16-003-003 | III. Improvisation sur Mallarme II | 00:10:55 | |||
16-004-004 | IV. Improvisation sur Mallarme III | 00:15:48 | |||
16-005-005 | V. Tombeau | 00:13:45 | |||
► | 17-001 | Nocturnes | Komponist: Debussy, Claude | New Philharmonia Orchestra / Alldis, John, Choir Rock / Pop - Band (instrumental): Boulez, Pierre | |
17-001-001 | I. Nuages | 00:06:58 | |||
17-002-002 | II. Fetes | 00:06:36 | |||
17-003-003 | III. Sirenes | 00:10:57 | |||
► | 17-004 | Printemps | Komponist: Debussy, Claude | New Philharmonia Orchestra / Alldis, John, Choir Klarinette: de Peyer, Gervase Rock / Pop - Band (instrumental): Boulez, Pierre | |
17-004-001 | I. Tres modere | 00:09:50 | |||
17-005-002 | II. Modere | 00:06:06 | |||
► | 17-006 | Premiere Rhapsodie for Clarinet and Orchestra | Komponist: Debussy, Claude | New Philharmonia Orchestra / Alldis, John, Choir Klarinette: de Peyer, Gervase Rock / Pop - Band (instrumental): Boulez, Pierre | 00:08:34 |
► | 18-001 | Daphnis et Chloe, Suite No. 2 | Komponist: Ravel, Maurice | Boulez, Pierre / Cleveland Orchestra, The | |
18-001-001 | Lever du jour | 00:06:22 | |||
18-002-002 | Pantomine | 00:05:11 | |||
18-003-003 | Danse generale | 00:04:48 | |||
► | 18-004 | Pavane pour une infante defunte | Komponist: Ravel, Maurice | Cleveland Orchestra, The / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:06:16 |
► | 18-005 | Rapsodie Espagnole | Komponist: Ravel, Maurice; Boulez, Pierre | Cleveland Orchestra, The / Boulez, Pierre | |
18-005-001 | Prelude a la nuit | 00:04:01 | |||
18-006-002 | Malagueña | 00:02:01 | |||
18-007-003 | Habanera | 00:02:42 | |||
18-008-004 | Feria | 00:06:06 | |||
► | 18-009 | Alborada del Gracioso | Komponist: Ravel, Maurice | Cleveland Orchestra, The / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:07:34 |
► | 19-001 | Petrouchka: Scenes burlesques en quatre tableaux - 1911 version | Komponist: Stravinsky, Igor | New York Philharmonic Orchestra / Boulez, Pierre Klavier: Jacobs, Paul Rock / Pop - Band (instrumental): Boulez, Pierre | |
19-001-001 | Premier Tableau: Fete populaire de la Semaine Grasse (The Shrove-Tide Fair) - 1911 version | 00:05:39 | |||
19-002-002 | La Baraque du Charlatan (The Charlatan's Booth) - 1911 version | 00:02:00 | |||
19-003-003 | Danse Russe (Russian Dance) - 1911 version | 00:02:35 | |||
19-004-004 | Deuxieme Tableau: Chez Petrouchka (Petrouchka's Room) - 1911 version | 00:04:04 | |||
19-005-005 | Troisieme Tableau: Chez le Maure (The Moor's Room) - 1911 version | 00:02:48 | |||
19-006-006 | Danse de la Ballerine (Dance of the Ballerina) - 1911 version | 00:00:46 | |||
19-007-007 | Valse - La Ballerine et le Maure (Waltz - The Ballerina and the Moor) - 1911 version | 00:03:11 | |||
19-008-008 | Quatrieme Tableau: The Shrove-Tide Fair (towards evening) / Dance of the Wet-Nurses - 1911 version | 00:03:26 | |||
19-009-009 | L'Ours et un paysan (The Bear and the Peasant) - 1911 version | 00:01:25 | |||
19-010-010 | Un Marchand ferard avec deux Tziganes (The Jovial Merchant with Two Gypsy Girls) - 1911 version | 00:01:08 | |||
19-011-011 | Danse de cochers et des palefreniers (Dance of the Coachmen and the Grooms) - 1911 version | 00:02:00 | |||
19-012-012 | Les Deguises (The Masquerader) - 1911 version | 00:01:33 | |||
19-013-013 | La Rixe: Le Maure et Pitrouchka (The Fight: The Moor and Petrouchka) - 1911 version | 00:00:39 | |||
19-014-014 | Mort de Petrouchka (Death of Petrouchka) - 1911 version | 00:00:45 | |||
19-015-015 | The Police and the Charlatan / Apparition of Petrouchka's Double - 1911 version | 00:02:06 | |||
► | 20-001 | The Miraculous Mandarin / Der Wunderbare Mandarin / Le Mandarin Merveilleux, Op. 19 (Sz 73) (Complete) | Komponist: Bartók, Béla; M. Lengyel Regisseur: Ross, Hugh Textdichter: M. Lengyel | Rock / Pop - Band (instrumental): Boulez, Pierre | |
20-001-001 | Vorspiel | 00:01:16 | |||
20-002-002 | Vorhang | 00:01:41 | |||
20-003-003 | 1. Lockspiel | 00:03:44 | |||
20-004-004 | 2. Lockspiel | 00:03:04 | |||
20-005-005 | 3. Lockspiel | 00:02:25 | |||
20-006-006 | Allgemeine Bestürzung | 00:01:14 | |||
20-007-007 | Das Mädchen ist unschlüssig | 00:04:33 | |||
20-008-008 | Das Mädchen sinkt dem Mandarin in den Schoß | 00:02:29 | |||
20-009-009 | Die Strolche springen hervor, ... | 00:02:06 | |||
20-010-010 | Plötzlich erscheint der Kopf des Mandarins | 00:03:00 | |||
20-011-011 | Die erschrockenen Strolche beraten aufs Neue | 00:01:21 | |||
20-012-012 | Die Lampe fällt zur Erde, erlischt. | 00:04:09 | |||
► | 20-013 | Dance Suite (Sz 77) - Instrumental | Komponist: Bartók, Béla | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
20-013-001 | I. Moderato - Instrumental | 00:04:02 | |||
20-014-002 | II. Allegro molto - Instrumental | 00:02:11 | |||
20-015-003 | III. Allegro vivace - Instrumental | 00:03:07 | |||
20-016-004 | IV. Molto tranquillo - Instrumental | 00:03:19 | |||
20-017-005 | V. Comodo - Instrumental | 00:01:00 | |||
20-018-006 | Finale. Allegro - Instrumental | 00:04:12 | |||
► | 21-001 | Concerto in G Major for Piano and Orchestra | Komponist: Ravel, Maurice | Philadelphia Orchestra, The Klavier: Entremont, Philippe Rock / Pop - Band (instrumental): Ormandy, Eugene | |
21-001-001 | I. Allegramente | 00:08:28 | |||
21-002-002 | II. Adagio assai | 00:09:39 | |||
21-003-003 | III. Presto | 00:04:00 | |||
► | 21-004 | Piano Concerto for the Left Hand - Instrumental | Komponist: Ravel, Maurice | Cleveland Orchestra, The / Boulez, Pierre Klavier: Entremont, Philippe Rock / Pop - Band (instrumental): Boulez, Pierre | |
21-004-001 | I - Lento | 00:08:33 | |||
21-005-002 | II - Allegro | 00:05:09 | |||
21-006-003 | III - Tempo I | 00:04:53 | |||
► | 22-001 | Benvenuto Cellini (Excerpt) | Komponist: Berlioz, Hector | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
22-001-001 | Ouverture. Allegro deciso con impeto | 00:10:19 | |||
► | 22-002 | Les Troyens (Excerpt) | Komponist: Berlioz, Hector | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
22-002-001 | Chasse royale et orage. Larghetto non troppo lento (Royal Hunt and Storm) | 00:08:42 | |||
► | 22-003 | Beatrice et Benedict (Excerpts) | Komponist: Berlioz, Hector | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
22-003-001 | Ouverture. Allegretto scherzando | 00:07:40 | |||
22-004-002 | Entr'acte. Sicilienne. Allegretto | 00:01:27 | |||
► | 22-005 | Le Carnaval Romain, Op. 9 - Overture caracteristique - Concert Overture | Komponist: Berlioz, Hector | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
22-005-001 | Allegro assai con fuoco - Andante sostenuto - Tempo I. Allegro vivace | 00:08:52 | |||
► | 23-001 | Seven Early Songs | Komponist: Berg, Alban | Sopran: Harper, Heather BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
23-001-001 | Night | 00:03:43 | |||
23-002-002 | Song Amongst The Reeds | 00:02:27 | |||
23-003-003 | The Nightingale | 00:02:20 | |||
23-004-004 | A Crown Of Dreams | 00:02:30 | |||
23-005-005 | Indoors | 00:01:13 | |||
23-006-006 | Lover's Ode | 00:01:45 | |||
23-007-007 | Summer Days | 00:01:48 | |||
► | 23-008 | Wozzeck - Act III | Komponist: Berg, Alban | Sopran: Strauss, Isabel Tenor: Weikenmeier, Albert Baßbariton: Berry, Walter; Dönch, Carl Rock / Pop - Band (instrumental): Boulez, Pierre | |
23-008-001 | Scene 1 - Marie's Room | 00:05:06 | |||
23-009-002 | Scene 2 - Forest Path By A Pool | 00:05:15 | |||
23-010-003 | Scene 3 - A Low Tavern | 00:03:01 | |||
23-011-004 | Scene 4 - Forest Path By A Pool | 00:04:49 | |||
23-012-005 | Scene 5 - Street Before Marie's Door | 00:05:14 | |||
► | 24-001 | Une Barque sur L'Ocean | Komponist: Ravel, Maurice | New York Philharmonic Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:07:33 |
► | 24-002 | Valses Nobles et Sentimentales | Komponist: Ravel, Maurice Textdichter: Ravel, Maurice | Boulez, Pierre | |
24-002-001 | I- Modere | 00:01:22 | |||
24-003-002 | II- Assez lent | 00:02:45 | |||
24-004-003 | III- Modere | 00:01:42 | |||
24-005-004 | IV- Assez animee | 00:00:57 | |||
24-006-005 | V- Presque lent | 00:01:25 | |||
24-007-006 | VI- Assez vif | 00:00:40 | |||
24-008-007 | VII- Moins vif | 00:03:11 | |||
24-009-008 | VIII- Epilogue (lent) | 00:03:51 | |||
► | 24-010 | Le Tombeau de Couperin - Instrumental | Komponist: Ravel, Maurice | New York Philharmonic Orchestra / Boulez, Pierre Oboe / Englisch Horn: Gomberg, Harold Rock / Pop - Band (instrumental): Boulez, Pierre | |
24-010-001 | Prelude | 00:03:12 | |||
24-011-002 | Forlane | 00:06:04 | |||
24-012-003 | Menuet | 00:05:03 | |||
24-013-004 | Rigaudon | 00:02:58 | |||
► | 25-001 | le marteau sans maitre | Komponist: Boulez, Pierre | Ensemble Musique Vivante Flöte: DeBost, Michel Gitarre: Stingl, Anton Mezzosopran: Minton, Yvonne Viola: Collot, Serge Percussion: Gualda, Sylvio Xylophon: Lorin, Michel Rock / Pop - Band (instrumental): Boulez, Pierre Sonstige Schlaginstrumente: Perotin, Gerard | |
25-001-001 | avant 'l'artisanat furieux' | 00:01:47 | |||
25-002-002 | commentaire I de 'bourreaux de solitude' | 00:04:03 | |||
25-003-003 | 'l'artisanat furieux' | 00:02:27 | |||
25-004-004 | commentaire II de 'bourreaux de solitude' | 00:04:36 | |||
25-005-005 | 'bel edifice et les pressentiments, ' version premiere | 00:03:52 | |||
25-006-006 | 'bourreaux de solitude' | 00:04:12 | |||
25-007-007 | apres 'l'artisanat furieux' | 00:01:01 | |||
25-008-008 | commentaire III de 'bourreaux de solitude' | 00:05:44 | |||
25-009-009 | 'bel edifice et les pressentiments, ' double | 00:08:05 | |||
► | 25-010 | Livre pour Cordes | Komponist: Boulez, Pierre | Strings of the New Philharmonia Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
25-010-001 | 'Variation' | 00:06:34 | |||
25-011-002 | 'Mouvement' | 00:03:58 | |||
► | 26-001 | Prelude to Act I from The Mastersingers of Nuremberg | Komponist: Wagner, Richard | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:10:46 |
► | 26-002 | Tannhauser and the Song Contest on the Wartburg Overture | Komponist: Wagner, Richard | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:14:10 |
► | 26-003 | Faust Overture | Komponist: Wagner, Richard | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:11:22 |
► | 26-004 | Prelude to Act I and Isolde's Liebestod from Tristan and Isolde | Komponist: Wagner, Richard | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:16:07 |
► | 27-001 | Concerto for Orchestra | Komponist: Bartók, Béla | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
27-001-001 | I. Introduzione | 00:09:56 | |||
27-002-002 | II. Giuoco delle coppie | 00:06:39 | |||
27-003-003 | III. Elegia | 00:07:25 | |||
27-004-004 | IV. Intermezzo interrotto | 00:04:17 | |||
27-005-005 | V. Finale | 00:08:38 | |||
► | 28-001 | La Valse | Komponist: Ravel, Maurice | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:13:01 |
► | 28-002 | Menuet Antique | Komponist: Ravel, Maurice | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:07:08 |
► | 28-003 | Ma Mere L'oye (Complete Ballet) | Komponist: Ravel, Maurice | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
28-003-001 | Prelude | 00:03:36 | |||
28-004-002 | Danse du rouet et Scene | 00:03:36 | |||
28-005-003 | Pavane de la Belle au bois dormant | 00:02:32 | |||
28-006-004 | Les Entretiens de la Belle et de la Bete | 00:04:55 | |||
28-007-005 | Petit Poucet | 00:04:37 | |||
28-008-006 | Laideronnette, imperatrice des pagodes | 00:04:42 | |||
28-009-007 | Le jardin feerique | 00:03:20 | |||
► | 28-010 | Bolero | Komponist: Ravel, Maurice | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:15:30 |
► | 29-001 | Gurre-Lieder for Soloists, Chorus and Orchestra - Voice | Komponist: Schoenberg, Arnold | Sopran: Napier, Marita BBC Singers / BBC Choral Society / Goldsmith's Choral Union / Gentlemen Of The London Philharmonic Choir / BBC Symphony Mezzosopran: Minton, Yvonne Tenor: Thomas, Jess; Bowen, Kenneth Sprecher / Erzähler: Reich, Gunther Chorleiter: Poole, John Rock / Pop - Band (instrumental): Boulez, Pierre Baß: Nimsgern, Siegmund | |
29-001-001 | Orchestral Prelude - Voice | 00:07:13 | |||
29-002-002 | Nun dämpft die Damm'rung jeden Ton (Waldemar) - Voice | 00:04:32 | |||
29-003-003 | O, wenn des Mondes Strahlen leise gleiten (Tove) - Voice | 00:03:16 | |||
29-004-004 | Ross! Mein Ross! Was schleichst du so träg! (Waldemar) - Voice | 00:03:35 | |||
29-005-005 | Sterne jubeln, das Meer, es leuchtet (Tove) - Voice | 00:03:06 | |||
29-006-006 | So tanzen die Engel vor Gottes Thron nicht (Waldemar) - Voice | 00:02:51 | |||
29-007-007 | Nun sag ich dir zum ersten Mal (Tove) - Voice | 00:04:51 | |||
29-008-008 | Es ist Mitternachtszeit (Waldemar) - Voice | 00:05:48 | |||
29-009-009 | Du sendest mir einen Liebesblick (Tove) - Voice | 00:05:58 | |||
29-010-010 | Du wunderliche Tove! (Waldemar) - Voice | 00:09:58 | |||
29-011-011 | Tauben von Gurre! Sorge quält mich (Stimme der Waltaube) - Voice | 00:12:30 | |||
► | 30-001 | Gurre-Lieder for Soloists, Chorus and Orchestra - Voice | Komponist: Schoenberg, Arnold | Sopran: Napier, Marita BBC Singers / BBC Choral Society / Goldsmith's Choral Union / Gentlemen Of The London Philharmonic Choir / BBC Symphony Mezzosopran: Minton, Yvonne Tenor: Thomas, Jess; Bowen, Kenneth Sprecher / Erzähler: Reich, Gunther Chorleiter: Poole, John Rock / Pop - Band (instrumental): Boulez, Pierre Baß: Nimsgern, Siegmund | |
30-001-001 | Herrgott, weisst du, was du tatest (Waldemar) - Voice | 00:05:47 | |||
30-002-002 | Erwacht, König Waldemars Mannen wert! (Waldemar) - Voice | 00:02:56 | |||
30-003-003 | Deckel des Sarges klappert und klappt (Bauer) - Voice | 00:03:30 | |||
30-004-004 | Gegrüsst, o König, an Gurre-Seestrand (Waldemars Mannen) - Voice | 00:05:33 | |||
30-005-005 | Mit Toves Stimme flustert der Wald (Waldemar) - Voice | 00:03:44 | |||
30-006-006 | Ein seltsamer Vogel ist so'n Aal (Klauss-Narr) - Voice | 00:07:18 | |||
30-007-007 | Du strenger Richter droben (Waldemar) - Voice | 00:02:28 | |||
30-008-008 | Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen) - Voice | 00:06:34 | |||
30-009-009 | Orchester - Vorspiel / Melodrama - Herr Gansefuss, Frau Gansekraut (Sprecher) / Seht die Sonne (Gemischter Chor) - Voice | 00:13:54 | |||
► | 31-001 | Water Music: Suite No. 1 in F Major for Orchestra, HWV 348 | Komponist: Händel, Georg Friedrich | New York Philharmonic Orchestra / Boulez, Pierre Horn: Cerminaro, John Oboe / Englisch Horn: Gomberg, Harold Rock / Pop - Band (instrumental): Boulez, Pierre | |
31-001-001 | I. Overture | 00:04:19 | |||
31-002-002 | II. Adagio e staccato | 00:02:06 | |||
31-003-003 | III. (Allegro) | 00:02:41 | |||
31-004-004 | IV. Andante | 00:02:16 | |||
31-005-005 | V. (Allegro da capo) | 00:02:40 | |||
31-006-006 | VI. (Allegro) | 00:04:22 | |||
31-007-007 | VII. Air | 00:02:38 | |||
31-008-008 | VIII. Bourree | 00:01:08 | |||
31-009-009 | IX. (Allegro) | 00:04:07 | |||
31-010-010 | X. Hornpipe | 00:01:31 | |||
31-011-011 | XI. Minuet | 00:03:58 | |||
31-012-012 | I. (Allegro) in D Major | 00:02:19 | |||
31-013-013 | II. Alla Hornpipe in D Major | 00:03:37 | |||
31-014-014 | III. (Sarabande) in G Major | 00:02:58 | |||
31-015-015 | IV. Rigaudon in G Major | 00:02:42 | |||
31-016-016 | V. Lentement in D Major | 00:02:01 | |||
31-017-017 | VI. Bourree in D Major | 00:01:04 | |||
31-018-018 | VII. Minuet in G Minor | 00:03:42 | |||
31-019-019 | VIII. Gigue in G Major | 00:01:30 | |||
31-020-020 | IX. Minuet in D Major | 00:02:31 | |||
► | 32-001 | The Firebird | Komponist: Stravinsky, Igor | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | |
32-001-001 | Introduction | 00:02:23 | |||
32-002-002 | Scene 1: Kaschei's enchanted garden | 00:01:44 | |||
32-003-003 | The Firebird appears pursued by Ivan Tsarevitch | 00:02:17 | |||
32-004-004 | Dance of the Firebird | 00:01:15 | |||
32-005-005 | Ivan Tsarevitch captures the Firebird | 00:00:49 | |||
32-006-006 | The Firebird's entreaty | 00:05:43 | |||
32-007-007 | The appearance of the thirteen enchanted princesses | 00:02:23 | |||
32-008-008 | The Princess' game with apples of gold | 00:02:13 | |||
32-009-009 | The sudden appearance of Ivan Tsarevitch | 00:01:15 | |||
32-010-010 | The Princesses' Round | 00:04:02 | |||
32-011-011 | Dawn (Ivan Tsarevitch enters Kaschei's palace) | 00:01:23 | |||
32-012-012 | The sound of the enchanted bells. Monsters appear, Kaschei's guards, and take Ivan Tsarevitch prisoner | 00:01:24 | |||
32-013-013 | The arrival of Kaschei the Immortal | 00:01:03 | |||
32-014-014 | Kaschei's dialogue with Ivan Tsarevitch | 00:01:04 | |||
32-015-015 | The Princesses intercede | 00:00:56 | |||
32-016-016 | The appearance of the Firebird | 00:00:30 | |||
32-017-017 | Kaschei's followers dance under the Firebird's spell | 00:00:41 | |||
32-018-018 | Infernal dance of Kaschei's subjects | 00:04:26 | |||
32-019-019 | Lullaby (the Firebird) | 00:02:54 | |||
32-020-020 | Kaschei awakes | 00:00:59 | |||
32-021-021 | Death of Kaschei - profound darkness | 00:01:18 | |||
32-022-022 | Scene 2: Kaschei's spells are broken. His palace disappears. The stone knights return to life. Joy reigns. | 00:03:07 | |||
► | 32-023 | The Song of the Nightingale | Komponist: Stravinsky, Igor Textdichter: Stravinsky, Igor | Boulez, Pierre / New York Philharmonic Orchestra | |
32-023-001 | Introduction | 00:02:25 | |||
32-024-002 | Marche Chinoise | 00:03:21 | |||
32-025-003 | Chant du Rossignol | 00:03:23 | |||
32-026-004 | Jeu du Rossignol Mecanique | 00:11:05 | |||
33-001 | Daphnis et Chloe - Voice | Komponist: Ravel, Maurice | New York Philharmonic Orchestra / Camerata Singers / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
33-001-001 | Introduction - Voice | 00:03:08 | |||
33-002-002 | Danse religieuse - Voice | 00:05:28 | |||
33-003-003 | Danse de jeunes filles - Voice | 00:03:05 | |||
33-004-004 | Danse grotesque de Dorcon - Voice | 00:01:52 | |||
33-005-005 | Danse legere et gracieuse de Daphnis - Voice | 00:03:30 | |||
33-006-006 | Lyceion entre et Danse - Voice | 00:03:59 | |||
33-007-007 | Nocturne - Voice | 00:05:00 | |||
33-008-008 | Interlude - Voice | 00:03:10 | |||
33-009-009 | Danse guerriere - Voice | 00:04:18 | |||
33-010-010 | Danse suppliante de Chloe - Voice | 00:05:26 | |||
33-011-011 | Lever du jour - Voice | 00:05:40 | |||
33-012-012 | Pantomine - Voice | 00:05:37 | |||
33-013-013 | Danse generale - Voice | 00:04:20 | |||
34-001 | Nones | Komponist: Berio, Luciano | London Symphony Orchestra Rock / Pop - Band (instrumental): Berio, Luciano | 00:06:48 | |
34-002 | Allelujah II | Komponist: Berio, Luciano | BBC Symphony Orchestra Rock / Pop - Band (instrumental): Berio, Luciano; Boulez, Pierre | 00:16:32 | |
34-003 | Concerto for Two Pianos | Komponist: Berio, Luciano | London Symphony Orchestra Klavier: Ballista, Antonio; Canino, Bruno Rock / Pop - Band (instrumental): Berio, Luciano | 00:24:32 | |
35-001 | Moses und Aron - Opera in Two Acts | Komponist: Schoenberg, Arnold Textdichter: Schoenberg, Arnold | Reich, Gunter / Cassilly, Richard / Palmer, Felicity / Knight, Gillian / Noble, John / Angas, Richard / Manning, Jane / Rock / Pop - Band (instrumental): Poole, John; Boulez, Pierre | ||
35-001-001 | Szene I: Moses' Berufung | 00:08:19 | |||
35-002-002 | Szene II: Moses begenet Aron in der Wuste | 00:07:13 | |||
35-003-003 | Szene III: Moses und Aron verkunden dem Volk die Botschaft Gottes | 00:06:30 | |||
35-004-004 | Chor: 'Bringt ihr Erhorung' | 00:06:43 | |||
35-005-005 | Moses: 'Allmachtiger, meine Kraft ist zu Ende' | 00:04:03 | |||
35-006-006 | Chor: 'Ein Wunder erfullt uns mit Schrecken' | 00:03:25 | |||
35-007-007 | Aron: 'Erkennt euch darin' | 00:08:13 | |||
35-008-008 | Chor: 'Er hat uns auserwahlt' | 00:02:42 | |||
35-009-009 | Zwischenspiel / Interlude | 00:02:05 | |||
36-001 | Moses und Aron (Continued) | Komponist: Schoenberg, Arnold Textdichter: Schoenberg, Arnold | Reich, Gunter / Cassilly, Richard / Palmer, Felicity / Knight, Gillian / Noble, John / Angas, Richard / Manning, Jane / Rock / Pop - Band (instrumental): Poole, John; Boulez, Pierre | ||
36-001-001 | Szene I: Aron und die 70 Altesten vor dem Berg der Offenbarung | 00:03:17 | |||
36-002-002 | Szene II | 00:07:10 | |||
36-003-003 | Aron: 'Diese Bild bezeugt' | 00:01:01 | |||
36-004-004 | Feierlich (Takt 320) | 00:03:21 | |||
36-005-005 | Tanz der Schlachter | 00:02:10 | |||
36-006-006 | Eine Kranke: 'O Gotterbild' | 00:03:24 | |||
36-007-007 | Rasch (Takt 497) | 00:04:44 | |||
36-008-008 | Orgie der Trunkenheit und des Tanzes | 00:05:34 | |||
36-009-009 | 4 nackte Jungfrauen: 'O goldener Gott' | 00:02:56 | |||
36-010-010 | Ziemlich rasch (Takt 824) | 00:05:17 | |||
36-011-011 | Szene IV | 00:01:09 | |||
36-012-012 | Scene V | 00:10:22 | |||
37-001 | El sombrero de tres picos (The Three-Cornered Hat) | Komponist: Falla, Manuel de | New York Philharmonic Orchestra Mezzosopran: DeGaetani, Jan Rock / Pop - Band (instrumental): Boulez, Pierre | ||
37-001-001 | Introduccion (Introduction) - Album Version | 00:01:27 | |||
37-002-002 | Atardecer (Afternoon) - Album Version | 00:05:24 | |||
37-003-003 | Danza de la molinera (Fandago) (Dance of the Miller's Wife) - Album Version | 00:03:50 | |||
37-004-004 | Las uvas (The Grapes) - Album Version | 00:04:22 | |||
37-005-005 | Danza de los vecinos (Seguidillas) (Dance of the Neighbors) - Album Version | 00:03:27 | |||
37-006-006 | Danza de la molinero (Farruca) (Dance of the miller) - Album Version | 00:07:29 | |||
37-007-007 | Danza del corregidor - Album Version | 00:06:23 | |||
37-008-008 | Danza final (Jota) (Final Dance) - Album Version | 00:06:07 | |||
37-009 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello | Komponist: Falla, Manuel de | New York Philharmonic Orchestra / Kipnis, Igor Flöte: Brook, Paige Violine: Chapo, Eliot Cembalo: Kipnis, Igor Oboe / Englisch Horn: Gomberg, Harold Violoncello: Munroe, Lorne Klarinette: Drucker, Stanley Rock / Pop - Band (instrumental): Boulez, Pierre | ||
37-009-001 | I. Allegro | 00:03:16 | |||
37-010-002 | II. Lento (giubiloso ed energico) | 00:05:38 | |||
37-011-003 | III. Vivace (flessibile, scherzando) | 00:03:55 | |||
38-001 | Bluebeard's Castle, Op. 11 (Sz 48) Opera in one Act - Album Version | Komponist: Bartók, Béla Textdichter: Bela Balazs | Sopran: Troyanos, Tatiana Bariton: Nimsgern, Siegmund Rock / Pop - Band (instrumental): Boulez, Pierre | ||
38-001-001 | 'Megerkeztunk' (Here we are now) | 00:04:24 | |||
38-002-002 | 'Ez a Kekszakaliu vara' (Is this really Bluebeard's castle) | 00:05:12 | |||
38-003-003 | 'Nagy csukott ajtokat latok' (Ah, I see seven great shut doorways) | 00:05:59 | |||
38-004-004 | The first door 'Jaj!' - 'Mit latsz?' (Woe!' - 'What seest thou?') | 00:04:36 | |||
38-005-005 | The second door 'Mit latsz?' (What seest thou?) | 00:04:14 | |||
38-006-006 | The third door 'Oh, be sok kincs' (Mountains of gold) | 00:02:31 | |||
38-007-007 | The fourth door 'Oh! Viragok!' (Ah! What lovely flowers!) | 00:05:02 | |||
38-008-008 | The fifth door 'Ah!' - 'Lasd ez az en birodalmam (Ah! - Now Behold my Spacious Kingdom) | 00:06:49 | |||
38-009-009 | The sixth door 'Csendes feher tavat latok' (I Can See a Sheet of Water) | 00:06:41 | |||
38-010-010 | 'Mondd meg nekem Kekszakaliu' (Tell me, tell me my dearest Bluebeard) | 00:06:38 | |||
38-011-011 | The seventh door 'Lasd a regi asszonyokat' (Hearts that I have loved and cherished) | 00:02:24 | |||
38-012-012 | 'Hajnalban az elsot leltem' (The first I found at daybreak) | 00:06:44 | |||
39-001 | La Peri | Komponist: Dukas, Paul | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
39-001-001 | Fanfare - Album Version | 00:02:23 | |||
39-002-002 | Poeme danse en un tableau - Album Version | 00:16:43 | |||
39-003 | Symphony No. 3 in G minor, Op. 42 | Komponist: Roussel, Albert | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
39-003-001 | I. Allegro vivo | 00:06:10 | |||
39-004-002 | II. Adagio | 00:08:40 | |||
39-005-003 | III. Vivace | 00:03:21 | |||
39-006-004 | IV. Allegro con spirito | 00:05:53 | |||
40-001 | The Wooden Prince, Op. 13 (Sz 60): A Dancing-play in One Act - Instrumental | Komponist: Bartók, Béla | Xylophon: Rosenberger, Walter Rock / Pop - Band (instrumental): Boulez, Pierre | ||
40-001-001 | {Introduction} Molto moderato | 00:04:34 | |||
40-002-002 | First Dance: Dance of the Princess in the forest. Molto moderato | 00:04:54 | |||
40-003-003 | Allegro - Second Dance: Dance of the trees. Assai moderato | 00:05:32 | |||
40-004-004 | Third Dance: Dance of the Waves. Andante | 00:09:01 | |||
40-005-005 | The Princess notices the staff with the golden locks. Allegretto | 00:02:19 | |||
40-006-006 | Fourth Dance: Dance of the Princess withthe wooden doll. Allegro | 00:12:19 | |||
40-007-007 | Great Apotheosis: Homage of the trees, water and flowers. Piu sostenuto | 00:02:40 | |||
40-008-008 | Fifth Dance: The Princess in her endeavourto make the Wooden Prince dance, pulls & pushes him about. Meno mosso (subito) | 00:01:56 | |||
40-009-009 | Sixth Dance: She tries to attract the real Prince with her seductive dancing. Allegretto | 00:01:26 | |||
40-010-010 | Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince, but the forest bars her way. Moderato | 00:08:06 | |||
40-011-011 | Slow curtain. a tempo | 00:00:35 | |||
41-001 | Ameriques | Komponist: Varèse, Edgar Regisseur: Boulez, Pierre | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:24:11 | |
41-002 | Ionisation | Komponist: EDGARD VARESE Regisseur: Boulez, Pierre | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:05:56 | |
41-003 | Arcana | Komponist: Varèse, Edgar Regisseur: Boulez, Pierre | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:18:41 | |
42-001 | Les Nuits d'ete, Op. 7 Six Melodies avec petit orchestre Six Songs with Small Orchestra | Komponist: Berlioz, Hector Textdichter: Gautier, Theophile | BBC Symphony Orchestra Mezzosopran: Minton, Yvonne Tenor: Burrows, Stuart Rock / Pop - Band (instrumental): Boulez, Pierre | ||
42-001-001 | I. Villanelle | 00:02:17 | |||
42-002-002 | II. Le Spectre de la rose | 00:07:03 | |||
42-003-003 | III. Sur les lagunes (Lamento) | 00:07:13 | |||
42-004-004 | IV. Absence | 00:05:29 | |||
42-005-005 | V. Au cimetiere (Claire de lune) | 00:05:52 | |||
42-006-006 | VI. L'ile inconnue | 00:03:42 | |||
42-007 | La Mort de Cleopatre / Scene lyrique | Komponist: Berlioz, Hector Textdichter: Viellard, P. A. | BBC Symphony Orchestra Mezzosopran: Minton, Yvonne Rock / Pop - Band (instrumental): Boulez, Pierre | 00:22:49 | |
43-001 | Pulcinella Suite pour petit orchestre d'apres Pergolesi / for Chamber Orchestraafter Pergolesi - Instrumental | Komponist: Stravinsky, Igor Regisseur: Boulez, Pierre | New York Philharmonic Orchestra / Boulez, Pierre | ||
43-001-001 | I. Sinfonia (Ouverture) | 00:02:01 | |||
43-002-002 | II. Serenata | 00:03:04 | |||
43-003-003 | IIIa. Scherzino | 00:01:57 | |||
43-004-004 | IIIb. Allegro | 00:01:11 | |||
43-005-005 | IIIc. Andantino | 00:01:36 | |||
43-006-006 | IV. Tarantella | 00:01:53 | |||
43-007-007 | V. Toccata | 00:00:58 | |||
43-008-008 | VI. Gavotta con due variazioni | 00:01:51 | |||
43-009-009 | Variazione Ia: Allegretto | 00:00:52 | |||
43-010-010 | Variazione IIa: Allegro piu tosto. | 00:01:55 | |||
43-011-011 | VII. Vivo | 00:01:34 | |||
43-012-012 | VIIIa. Minuetto | 00:02:18 | |||
43-013-013 | VIIIb. Finale | 00:02:01 | |||
43-014 | Scherzo Fantastique, Op. 3 | Komponist: Stravinsky, Igor Regisseur: Boulez, Pierre | New York Philharmonic Orchestra / Boulez, Pierre | 00:11:52 | |
43-015 | Symphonies Of Wind Instruments - Instrumental | Komponist: Stravinsky, Igor | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:09:37 | |
44-001 | Pierrot Lunaire, Op. 21 for Reciter, Piano, Flute / Piccolo Flute, Clarinet, Bass Clarinet, Violin / Viola and Cello - I | Komponist: Schoenberg, Arnold Regisseur: Boulez, Pierre | Minton, Yvonne / Zukerman, Pinchas / Boulez, Pierre Flöte: DeBost, Michel Violine: Zukerman, Pinchas Klavier: Barenboim, Daniel Viola: Zukerman, Pinchas Violoncello: Harrell, Lynn Klarinette: Pay, Anthony; Pay, Anthony Sonstige Holzblasinstrumente: DeBost, Michel | ||
44-001-001 | I. Teil / Part I: 1. Mondestrunken | 00:01:39 | |||
44-002-002 | 2. Colombine | 00:01:43 | |||
44-003-003 | 3. Der Dandy | 00:01:13 | |||
44-004-004 | 4. Eine blasse Wascherin | 00:01:37 | |||
44-005-005 | 5. Valse de Chopin | 00:01:16 | |||
44-006-006 | 6. Madonna | 00:02:04 | |||
44-007-007 | 7. Der Kranke Mond | 00:02:22 | |||
44-008-008 | II. Teil / Part II: 8. Nacht | 00:02:13 | |||
44-009-009 | 9. Gebet an Pierrot | 00:00:53 | |||
44-010-010 | 10. Raub | 00:01:06 | |||
44-011-011 | 11. Rote Messe | 00:01:46 | |||
44-012-012 | 12. Galgenlied | 00:00:20 | |||
44-013-013 | 13. Enthauptung | 00:02:13 | |||
44-014-014 | 14. Die Kreuze | 00:02:21 | |||
44-015-015 | III. Teil / Part III: 15. Heimweh | 00:01:58 | |||
44-016-016 | 16. Gemeinheit | 00:01:10 | |||
44-017-017 | 17. Parodie | 00:01:17 | |||
44-018-018 | 18. Der Mondfleck | 00:00:54 | |||
44-019-019 | 19. Serenade | 00:02:20 | |||
44-020-020 | 20. Heimfahrt | 00:01:45 | |||
44-021-021 | 21. O alter Duft | 00:01:43 | |||
45-001 | Das Liebesmahl der Apostel | Komponist: Wagner, Richard | London Symphony Orchestra / Minton, Yvonne / Boulez, Pierre Mezzosopran: Minton, Yvonne Rock / Pop - Band (instrumental): Boulez, Pierre | ||
45-001-001 | In ruhiger Bewegung | 00:07:19 | |||
45-002-002 | Langsam mit Wurde...Schnell und Bewegt...Langsam | 00:07:53 | |||
45-003-003 | Massig langsam | 00:01:48 | |||
45-004-004 | Allegro | 00:04:42 | |||
45-005-005 | Piu allegro...Allegro con brio | 00:03:24 | |||
45-006-006 | Presto fortissimo | 00:01:06 | |||
45-007 | Sigfried Idyll - Original Chamber Version | Komponist: Wagner, Richard | London Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:17:08 | |
46-001 | Passacaglia for Orchestra, Op. 1 | Komponist: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:10:05 | |
46-002 | Entflieht auf leichten Kähnen | Komponist: Webern, Anton Textdichter: George, Stefan | Alldis, John, Choir / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:02:32 | |
46-003 | Six Pieces for Orchestra, Op. 6 | Komponist: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-003-001 | I. Etwas bewegte Achtel | 00:01:06 | |||
46-004-002 | II. Bewegt | 00:01:24 | |||
46-005-003 | III. Zart bewegt | 00:00:49 | |||
46-006-004 | IV. Langsam | 00:04:35 | |||
46-007-005 | V. Sehr langsam | 00:02:27 | |||
46-008-006 | VI. Zart bewegt | 00:01:32 | |||
46-009 | Zwei Lieder für mittlere Stimme und acht Instrumente, Op. 8 | Komponist: Webern, Anton Textdichter: Rilke, Rainer Maria | Sopran: Harper, Heather Harper, Heather / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-009-001 | I. Du, der ichs nicht sage | 00:00:59 | |||
46-010-002 | II. Du machst mich allein | 00:01:09 | |||
46-011 | Five Pieces for Orchestra, Op. 10 | Komponist: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-011-001 | I. Sehr ruhig und zart | 00:00:41 | |||
46-012-002 | II. Lebhaft und zart bewegt | 00:00:30 | |||
46-013-003 | III. Sehr langsam und äußerst zart | 00:01:21 | |||
46-014-004 | IV. Fließend, äußerst zart | 00:00:25 | |||
46-015-005 | V. Sehr fließend | 00:01:01 | |||
46-016 | Vier Lieder für Sopran und Orchester, Op. 13 | Komponist: Webern, Anton Textdichter: Webern, Anton | Sopran: Harper, Heather Harper, Heather / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-016-001 | I. Wiese im Park (Karl Kraus) | 00:02:15 | |||
46-017-002 | II. Die Einsame (Wang Seng Yu, trans. Bethge) | 00:01:26 | |||
46-018-003 | III. In der Fremde (Li Tai Po, trans. Bethge) | 00:01:07 | |||
46-019-004 | IV. Ein Winterabend (G. Trakl) | 00:02:06 | |||
46-020 | Sechs Lieder für Singstimme und vier Instrumente, Op. 14 nach Gedichten von Georg Trakl | Komponist: Webern, Anton | Sopran: Harper, Heather Harper, Heather / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-020-001 | I. Die Sonne | 00:01:32 | |||
46-021-002 | II. Abendland I | 00:01:20 | |||
46-022-003 | III. Abendland II | 00:01:10 | |||
46-023-004 | IV. Abendland III | 00:01:23 | |||
46-024-005 | V. Nachs | 00:00:43 | |||
46-025-006 | IV. Gesang einer gefangenen Amsel | 00:01:24 | |||
46-026 | Fünf geistliche Lieder für Sopran und fünf Instrumente, Op. 15 | Komponist: Webern, Anton | Sopran: Lukomska, Halina Lukomska, Halina / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-026-001 | I. Das Kreuz, das musst' er tragen (Rosegger | 00:00:54 | |||
46-027-002 | II. Morgenlied (Des Knaben Wunderhorn), | 00:00:47 | |||
46-028-003 | III. In Gottes Namen aufstehn (Rossegger) | 00:00:56 | |||
46-029-004 | IV. Mein Weg geht jetzt vorüber (anon. chorale) | 00:00:53 | |||
46-030-005 | V. Fahr hin, o Seel, zu deinem Gott (Rosegger) | 00:01:18 | |||
46-031 | Fünf Canons nach lateinischen Texten für Sopran, Klarinette und Baßklarinette, Op. 16 | Komponist: Webern, Anton | Sopran: Lukomska, Halina Lukomska, Halina / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-031-001 | I. Christus factus est (Maundy Thursday gradual) | 00:00:25 | |||
46-032-002 | II. Dormi Jesu (Des Knaben Wunderhorn) | 00:00:53 | |||
46-033-003 | III. Crux fidelis (Good Friday hymn) | 00:00:40 | |||
46-034-004 | IV. Asperges me (Ordinary antiphon) | 00:00:37 | |||
46-035-005 | V. Crucem tuam adoramus (Good Friday antiphon) | 00:00:32 | |||
46-036 | Drei Volkstexte für Singtimme und drie Instrumente, Op. 17 | Komponist: Webern, Anton | Sopran: Lukomska, Halina Lukomska, Halina / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-036-001 | I. Armer Sünder, du (Rosegger) | 00:00:39 | |||
46-037-002 | II. Liebste Jungfrau, wir sind dein (Rosegger) | 00:01:06 | |||
46-038-003 | III. Heiland, unsre Missetaten (anon.) | 00:00:37 | |||
46-039 | 3 Songs for Voice, E-Flat Clarinet and Guitar, Op. 18 | Komponist: Webern, Anton | Sopran: Lukomska, Halina Gitarre: Williams, John Klarinette: Bradley, Colin Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-039-001 | I. Schatzerl klein | 00:00:58 | |||
46-040-002 | II. Erlösung | 00:01:05 | |||
46-041-003 | III. Ave regina coelorum | 00:01:21 | |||
46-042 | Zwei Lieder für gemischten Chor und fünf Instrumete, Op. 19 auf 'Chinesch-deutsch Jahres- und Tagsezeiten von Goethe | Komponist: Webern, Anton | Members of the London Symphony Orchestra / Alldis, John, Choir / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
46-042-001 | I. Weiß wie Lilien | 00:01:17 | |||
46-043-002 | II. Ziehn die Schafe | 00:01:02 | |||
47-001 | Symphony for Chamber Orchestra, Op. 21 | Komponist: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
47-001-001 | I. Ruhig Schreitend | 00:06:25 | |||
47-002-002 | II. Variationen | 00:02:54 | |||
47-003 | Quartet for Clarinet, Tenor Saxophone, Violin and Piano, Op. 22 | Komponist: Webern, Anton | Violine: Majeske, Daniel Klavier: Rosen, Charles Klarinette: Marcellus, Robert Saxophon: Weinstein, Abraham | ||
47-003-001 | I. Sehr mäßig | 00:03:31 | |||
47-004-002 | II. Sehr schwungvoll | 00:03:40 | |||
47-005 | Concerto for Flute, Oboe, Clarinet, Horn, Trumpet, Trombone, Violin, Viola and Piano, Op. 24 | Komponist: Webern, Anton | Members of the London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
47-005-001 | I. Etwas lebhaft | 00:02:28 | |||
47-006-002 | II. Sehr langsam | 00:02:38 | |||
47-007-003 | III. Sehr rasch | 00:01:25 | |||
47-008 | Das Augenlicht für gemischten Chor und Orchester, Op. 26, Worte von Hildegard Jone | Komponist: Webern, Anton | London Symphony Orchestra / Alldis, John, Choir / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:05:50 | |
47-009 | Cantata No. 1, Op. 29 | Komponist: Webern, Anton | Sopran: Lukomska, Halina London Symphony Orchestra / Lukomska, Halina / Alldis, John, Choir / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
47-009-001 | I. Zündender Lichtblitz | 00:02:05 | |||
47-010-002 | II. Kleiner Flügel | 00:02:07 | |||
47-011-003 | III. Tönen die seligen Saiten Apolls | 00:03:38 | |||
47-012 | Variations for Orchestra, Op. 30 (1940) | Komponist: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:07:13 | |
47-013 | Cantata No. 2, Op. 31 | Komponist: Webern, Anton Textdichter: Jone, Hildegard | Sopran: Lukomska, Halina London Symphony Orchestra / Lukomska, Halina / Alldis, John, Choir / Boulez, Pierre Bariton: McDaniel, Barry Rock / Pop - Band (instrumental): Boulez, Pierre | ||
47-013-001 | I. Schweigt auch die Welt | 00:01:49 | |||
47-014-002 | II. Sehr tiefverhalten | 00:03:16 | |||
47-015-003 | III. Schöpfen aus Brunnen | 00:02:16 | |||
47-016-004 | IV. Leichteste Bürden | 00:01:06 | |||
47-017-005 | V. Freundselig ist das Wort | 00:03:22 | |||
47-018-006 | VI. Gelockert aus dem Schosse | 00:02:05 | |||
47-019 | Fünf Sätze für Streichquartett, Op. 5 - Orchestral Version | Komponist: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
47-019-001 | I. Heftig bewegt - Orchestral Version | 00:02:46 | |||
47-020-002 | II. Sehr langsam - Orchestral Version | 00:02:00 | |||
47-021-003 | III. Sehr bewegt - Orchestral Version | 00:00:41 | |||
47-022-004 | IV. Sehr langsam - Orchestral Version | 00:01:17 | |||
47-023-005 | V. In zarten Bewegung - Orchestral Version | 00:03:01 | |||
47-024 | Fuga No. 2 (Ricercata) a 6 voci from Musikalisches Opfer, BWV 1079, No. 5 | Komponist: Bach, Johann Sebastian Bearbeiter: Webern, Anton | London Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:07:01 | |
48-001 | Verklarte Nacht Op. 4 (Version for String Orchestra (1943) - Instrumental | Komponist: Schoenberg, Arnold | New York Philharmonic Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
48-001-001 | Grave | 00:06:29 | |||
48-002-002 | Molto rallentando (Takt / bar 100) | 00:06:22 | |||
48-003-003 | Pesante (Takt / bar 201) | 00:02:26 | |||
48-004-004 | Adagio (Takt / bar 229) | 00:09:22 | |||
48-005-005 | Adagio (Takt / bar 370) | 00:03:56 | |||
48-006 | Three Pieces from 'Lyric Suite' (Arranged for Orchestra) | Komponist: Berg, Alban | New York Philharmonic Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
48-006-001 | I. Andante amoroso (Original Second Movement) | 00:05:35 | |||
48-007-002 | II. Allegro misterioso (Original Third Movement) | 00:03:27 | |||
48-008-003 | III. Adagio appassionato (Original Fourth Movement) | 00:05:55 | |||
49-001 | Music for the Royal Fireworks - Instrumental | Komponist: Händel, Georg Friedrich | New York Philharmonic Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
49-001-001 | I. Ouverture | 00:08:32 | |||
49-002-002 | II. Bourree | 00:01:10 | |||
49-003-003 | III. La Paix: Largo alla Siciliana | 00:04:33 | |||
49-004-004 | IV. Menuet I; Menuet II | 00:04:23 | |||
49-005-005 | V. La Rejouissance: Allegro | 00:02:00 | |||
49-006 | Berenice, HWV 38 | Komponist: Händel, Georg Friedrich | Rock / Pop - Band (instrumental): Boulez, Pierre | ||
49-006-001 | Ouverture - Allegro | 00:03:20 | |||
49-007-002 | Andante larghetto | 00:03:20 | |||
49-008-003 | Gigue | 00:01:45 | |||
49-009 | Concerto [a due cori] in F Major for 2 Wind Choirs and Strings, HWV 334 - Instrumental | Komponist: Händel, Georg Friedrich | New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
49-009-001 | I. Ouverture [attacca:] - Instrumental | 00:01:22 | |||
49-010-002 | II. Allegro - Instrumental | 00:02:56 | |||
49-011-003 | III. Allegro ma non troppo - Instrumental | 00:03:24 | |||
49-012-004 | IV. Adagio - Instrumental | 00:01:24 | |||
49-013-005 | V. Andante larghetto - Instrumental | 00:03:55 | |||
49-014-006 | VI. Allegro - Instrumental | 00:01:41 | |||
50-001 | Lulu - Suite. Symphonische Stücke aus der Oper Lulu nach den Tragödien 'Erd- geist und Die Buchse der Pandora' - Voice | Komponist: Berg, Alban; Wedekind, Frank Textdichter: Wedekind, Frank | Sopran: Blegen, Judith New York Philharmonic Orchestra / Blegen, Judith | ||
50-001-001 | I - Rondo. Andante (Introduction) - Hymne. Sostenuto | 00:12:59 | |||
50-002-002 | II - Ostinato: Allegro | 00:03:12 | |||
50-003-003 | III - Lied der Lulu: Comodo | 00:02:33 | |||
50-004-004 | IV - Variationen: Andante | 00:03:20 | |||
50-005-005 | V - Adagio: Sostenuto - Lento - Grave | 00:08:11 | |||
50-006 | Der Wein - Voice | Komponist: Berg, Alban | Sopran: Norman, Jessye New York Philharmonic Orchestra / Norman, Jessye | ||
50-006-001 | I - Introduction | 00:01:31 | |||
50-007-002 | II - Die Seele des Weines | 00:04:51 | |||
50-008-003 | III - Der Wein der Liebenden | 00:02:38 | |||
50-009-004 | IV - Der Wein des Einsamen | 00:03:31 | |||
51-001 | Symphony of Three Orchestras - Instrumental | Komponist: Carter, Elliott | New York Philharmonic Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:15:41 | |
51-002 | A Mirror On Which To Dwell - Six Poems Of Elizabeth Bishop | Komponist: Carter, Elliott | Boulez, Pierre | ||
51-002-001 | I- Anaphora | 00:04:01 | |||
51-003-002 | II - Argument | 00:02:54 | |||
51-004-003 | III- Sandpiper | 00:02:30 | |||
51-005-004 | IV- Insomnia | 00:03:20 | |||
51-006-005 | V- View of the Capitol from the Library of Congress | 00:03:05 | |||
51-007-006 | VI- O Breath | 00:04:04 | |||
52-001 | A Survivor from Warsaw, Op. 46 | Komponist: Schoenberg, Arnold | BBC Chorus / BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:07:26 | |
52-002 | Variations for Orchestra, Op. 31 - Instrumental | Komponist: Schoenberg, Arnold | BBC Symphony Orchestra / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
52-002-001 | Introduction. Massig, ruhig - Instrumental | 00:01:30 | |||
52-003-002 | Thema. Molto moderato - Instrumental | 00:01:01 | |||
52-004-003 | Variation I. Moderato - Instrumental | 00:01:15 | |||
52-005-004 | Variation II. Langsam - Instrumental | 00:01:31 | |||
52-006-005 | Variation III. Massig - Instrumental | 00:00:41 | |||
52-007-006 | Variation IV. Walzertempo - Instrumental | 00:01:19 | |||
52-008-007 | Variation V. Bewegt - Instrumental | 00:01:47 | |||
52-009-008 | Variation VI. Andante - Instrumental | 00:01:23 | |||
52-010-009 | Variation VII. Langsam - Instrumental | 00:02:01 | |||
52-011-010 | Variation VIII. Sehr rasch - Instrumental | 00:00:37 | |||
52-012-011 | Variation IX. L'istesso tempo; aber etwas langsamer - Instrumental | 00:00:58 | |||
52-013-012 | Finale. Massig schnell - Instrumental | 00:05:18 | |||
52-014 | Five Pieces for Orchestra, Op. 16 - Album Version | Komponist: Schoenberg, Arnold | BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
52-014-001 | I. Vorgefühle | 00:02:02 | |||
52-015-002 | II. Vergangenes | 00:04:42 | |||
52-016-003 | III. Farben | 00:02:50 | |||
52-017-004 | IV. Peripetie | 00:02:03 | |||
52-018-005 | V. Das obligate Rezitativ | 00:03:30 | |||
52-019 | Accompaniment to a Cinematographic Scene, Op. 34 / Begleitmusik zu einer Lichtspielszene op. 34 | Komponist: Schoenberg, Arnold | BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:08:24 | |
53-001 | Fünf Lieder nach Gedichten von Mathilde Wesendonk | Komponist: Wagner, Richard | London Symphony Orchestra / Minton, Yvonne / Boulez, Pierre Mezzosopran: Minton, Yvonne Rock / Pop - Band (instrumental): Boulez, Pierre | ||
53-001-001 | Der Engel | 00:02:48 | |||
53-002-002 | Stehe still! | 00:03:31 | |||
53-003-003 | In Treibhaus (Studie zu 'Tristan und Isolde') | 00:06:06 | |||
53-004-004 | Schmerzen | 00:02:16 | |||
53-005-005 | Träume (Studie zu 'Tristan und Isolde') | 00:04:22 | |||
53-006 | Fünf Lieder nach Gedichten von Friedrich Rückert | Komponist: Mahler, Gustav | Minton, Yvonne / London Symphony Orchestra / Boulez, Pierre Mezzosopran: Minton, Yvonne Rock / Pop - Band (instrumental): Boulez, Pierre | ||
53-006-001 | Liebst du um Schönheit? | 00:02:26 | |||
53-007-002 | Um Mitternacht | 00:05:34 | |||
53-008-003 | Ich atmet' einen linden Duft | 00:02:16 | |||
53-009-004 | Blicke mir nicht in die Lieder! | 00:01:16 | |||
53-010-005 | Ich bin der Welt abhanden gekommen | 00:06:25 | |||
54-001 | Serenade, Op. 24 for Clarinet, Mandolin, Guitar, Violin, Viola, Cello, and a deep male voice - Album Version | Komponist: Schoenberg, Arnold | Violine: Caussé, Gérard; Ghestem, Jacques Gitarre: Ghirardi, Marie-Therese Mandoline: Saint-Clivier, Andre Violoncello: Strauch, Pierre Klarinette: Arrignon, Michel; Arnaud, Guy Kontrabaß: Shirley-Quirk, John; Arnaud, Guy Bariton: Shirley-Quirk, John Rock / Pop - Band (instrumental): Boulez, Pierre | ||
54-001-001 | I. Marsch | 00:04:34 | |||
54-002-002 | II. Menuett | 00:07:20 | |||
54-003-003 | III. Variationen | 00:04:14 | |||
54-004-004 | IV. Sonett von Petrarca: 'O konnt ich je der Rach' an ihr genesen' | 00:02:54 | |||
54-005-005 | V. Tanzscene | 00:07:05 | |||
54-006-006 | VI. Lied (ohne Worte) | 00:02:22 | |||
54-007-007 | VII. Finale | 00:05:25 | |||
54-008 | Lied der Waldtaube from Gurre-lieder (Version for Chamber Orchestra) | Komponist: Schoenberg, Arnold | Sopran: Norman, Jessye Ensemble Intercontemporain Flöte: Marion, Alain Horn: Magnardi, Jacky; Tassin, Robert Violine: Gazeau, Sylvie; Ghestem, Jacques Klavier: Planes, Alain Viola: Caussé, Gérard Oboe / Englisch Horn: Pateau, Didier; Perreau, Gerard | 00:12:40 | |
54-009 | Ode to Napoleon Buonaparte, Op. 41 for String Quartet, Piano and Reciter | Komponist: Schoenberg, Arnold Textdichter: Lord Byron | Violine: Gazeau, Sylvie; Ghestem, Jacques Klavier: Neveux, Alain Viola: Caussé, Gérard Violoncello: Muller, Philippe Rock / Pop - Band (instrumental): Boulez, Pierre | 00:16:23 | |
55-001 | Die Jakobsleiter (Fragment) Oratorio for Soloists, Choruses and Orchestra | Komponist: Schoenberg, Arnold Textdichter: Schoenberg, Arnold | Nimsgren, Siegmund / Bowen, Kenneth / Partridge, Ian / Shirley-Quirk, John / Wenkel, Ortrun / Mesple, Mady / Rolfe-Johns Rock / Pop - Band (instrumental): Boulez, Pierre | ||
55-001-001 | 'Ob rechts, ob links, vorwarts oder ruckwarts' (Gabriel, Chor) | 00:04:51 | |||
55-002-002 | 'Ohne zu fragen?' (Chor, Gabriel) | 00:04:46 | |||
55-003-003 | 'Gleichviel! Weiter!' (Gabriel, ein Berufener) | 00:03:54 | |||
55-004-004 | 'Du bist immerhin zufrieden mit dir' (Gabriel, ein Aufruhrerischer) | 00:02:09 | |||
55-005-005 | 'Dies Entweder und dies Oder' (Gabriel, ein Ringender) | 00:03:54 | |||
55-006-006 | 'Gegen seinen und euren Willen' (Gabriel) | 00:02:25 | |||
55-007-007 | 'Ich sollte nicht naher, denn ich verliere dabei' (Der Auserwahlte, Gabriel) | 00:05:40 | |||
55-008-008 | 'Herr, verzeih meine Uberhebung!' (Der Monch, Gabriel) | 00:05:10 | |||
55-009-009 | 'Herr, mein ganzes Leben lang' (Der Sterbende) | 00:03:30 | |||
55-010-010 | 'Nahst du wieder dem Licht?' (Gabriel, Chor) | 00:03:25 | |||
55-011-011 | Grosses Symphonisches Zwischenspiel / Big Symphonic Interlude | 00:07:24 | |||
55-012 | Erwartung, Op. 17 Monodrama in one act - Instrumental | Komponist: Schoenberg, Arnold | Martin, Janis / BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
55-012-001 | I. Szene / Scene I: 'Hier hinein?...Man sieht den Weg nicht' | 00:02:53 | |||
55-013-002 | II. Szene / Scene II: 'Ist das noch der Weg?' | 00:02:50 | |||
55-014-003 | III. Szene / Scene III: 'Da kommt ein Licht!...' | 00:01:24 | |||
55-015-004 | IV. Szene / Scene IV: 'Er ist auch nicht da..' | 00:02:32 | |||
55-016-005 | 'Das Mondlicht...nein dort' | 00:08:03 | |||
55-017-006 | 'Nein, das ist doch nicht moglich' | 00:01:38 | |||
55-018-007 | 'Du siehst wieder dort hin!...' | 00:06:46 | |||
55-019-008 | 'Der Morgen trennt uns...' | 00:03:08 | |||
56-001 | Die glückliche Hand, Op. 18 | Komponist: Schoenberg, Arnold | BBC Singers / Boulez, Pierre / BBC Symphony Orchestra Kontrabaß: Nimsgern, Sigmund Rock / Pop - Band (instrumental): Boulez, Pierre | ||
56-001-001 | Esrtes Bild / Scene I | 00:02:53 | |||
56-002-002 | Zweites Bild / Scene II | 00:05:40 | |||
56-003-003 | Drittes Bild / Scene III: Kraftig bewegt (Takt / bar 89) | 00:02:53 | |||
56-004-004 | Viel rascher. Allegro (Takt 126) | 00:02:03 | |||
56-005-005 | Massig bewegt (Takt 166) | 00:02:08 | |||
56-006-006 | Viertes Bild / Scene IV | 00:05:00 | |||
56-007 | Chamber Symphony No. 1, Op. 9 (Kammersymphonie Nr. 1) | Komponist: Schoenberg, Arnold | Members of the Ensemble InterContemporain, Members of the Ensemble InterContemporain Flöte: Marion, Alain Horn: Cazalet, Andre Violine: Ghestem, Jacques; Gazeau, Sylvie Viola: Caussé, Gérard Oboe / Englisch Horn: Pateau, Didier; Perreau, Gerard Violoncello: Muller, Philippe Klarinette: Arrignon, Michel; Damiens, Alain | 00:19:41 | |
56-008 | Chamber Symphony No. 2, Op. 38 (Kammersymphonie Nr. 2) | Komponist: Schoenberg, Arnold Textdichter: Schoenberg, Arnold | Boulez, Pierre / Ensemble Intercontemporain Rock / Pop - Band (instrumental): Boulez, Pierre | ||
56-008-001 | I. Adagio | 00:09:57 | |||
56-009-002 | II. Con fuoco | 00:10:59 | |||
56-010 | 3 Pieces for Chamber Orchestra - Album Version | Komponist: Schoenberg, Arnold | Flöte: Marion, Alain Horn: Cazalet, Andre Violine: Ghestem, Jacques; Gazeau, Sylvie Viola: Caussé, Gérard Oboe / Englisch Horn: Pateau, Didier Violoncello: Strauch, Pierre Klarinette: Arrignon, Michel Fagott: Lanothe, Jean-Marie Harmonium: Aimard, Pierre-Laurent Rock / Pop - Band (instrumental): Boulez, Pierre | ||
56-010-001 | I. Rasche Viertel | 00:00:55 | |||
56-011-002 | II. Massige Viertel | 00:00:36 | |||
56-012-003 | III. Gehende Viertel | 00:00:45 | |||
56-013 | Four Orchestral Songs, Op. 22 - Voice | Komponist: Schoenberg, Arnold | BBC Symphony Orchestra / Minton, Yvonne / Boulez, Pierre Mezzosopran: Minton, Yvonne Rock / Pop - Band (instrumental): Boulez, Pierre | ||
56-013-001 | I. Seraphita - Voice | 00:05:36 | |||
56-014-002 | II. Alle, welche dich suchen - Voice | 00:01:39 | |||
56-015-003 | III. Mach mich zum Wächter deiner Weiten - Voice | 00:03:36 | |||
56-016-004 | IV. Vorgefühl - Voice | 00:02:22 | |||
57-001 | Eclat - Instrumental | Komponist: Boulez, Pierre | Boulez, Pierre / Ensemble Intercontemporain Rock / Pop - Band (instrumental): Boulez, Pierre | 00:09:41 | |
57-002 | Multiples - Instrumental | Komponist: Boulez, Pierre | Boulez, Pierre / Ensemble Intercontemporain Rock / Pop - Band (instrumental): Boulez, Pierre | 00:17:02 | |
57-003 | Rituel (In Memory of Bruno Maderna) - Instrumental | Komponist: Boulez, Pierre | Boulez, Pierre / BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:25:17 | |
58-001 | Equatorial - Instrumental | Komponist: Varèse, Edgar Regisseur: Jouinneau, Jacques | Choeurs de Radio France / Ensemble Intercontemporain / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:12:04 | |
58-002 | Deserts - Instrumental | Komponist: Varèse, Edgar | Ensemble Intercontemporain / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:16:14 | |
58-003 | Integrales | Komponist: Varèse, Edgar Regisseur: Boulez, Pierre | Ensemble Intercontemporain / Boulez, Pierre | 00:10:35 | |
58-004 | Hyperprism - Instrumental | Komponist: Varèse, Edgar | Ensemble Intercontemporain / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:04:14 | |
58-005 | Octandre - Instrumental | Komponist: Varèse, Edgar Regisseur: Boulez, Pierre | Boulez, Pierre | ||
58-005-001 | I. Assez Lent | 00:02:32 | |||
58-006-002 | II. Tres Vif Et Nerveux | 00:01:45 | |||
58-007-003 | III. Grave | 00:02:20 | |||
58-008 | Offrandes - Album Version | Komponist: Varèse, Edgar Regisseur: Boulez, Pierre | Sopran: Yakar, Rachel | ||
58-008-001 | a) Chanson de La-Haut (Song from On High) | 00:03:09 | |||
58-009-002 | b) La Croix du Sud (The Southern Cross) | 00:03:25 | |||
58-010 | Density 21.5 | Komponist: Varèse, Edgar Regisseur: Boulez, Pierre | Flöte: Beauregard, Lawrence | 00:04:10 | |
59-001 | Sheherazade | Komponist: Ravel, Maurice | Sopran: Harper, Heather BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
59-001-001 | I. Asie | 00:09:27 | |||
59-002-002 | II. La Flute enchantee | 00:02:45 | |||
59-003-003 | III. L'indifferent | 00:03:30 | |||
59-004 | Trois Poems de Stephane Mallarme | Komponist: Ravel, Maurice | Sopran: Gomez, Jill BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
59-004-001 | I. Soupir | 00:04:25 | |||
59-005-002 | II. Placet futile | 00:04:35 | |||
59-006-003 | III. Surgi de la croupe et du bond | 00:03:35 | |||
59-007 | Chansons madecasses | Komponist: Ravel, Maurice Textdichter: Evariste-Desire de Parny | Sopran: Norman, Jessye; Members of the Ensemble InterContemporain, Members of the Ensemble InterContemporain LABEL COPY CONVERSION / SONY CLASSICAL UNKNOWN Rock / Pop - Band (instrumental): Boulez, Pierre | ||
59-007-001 | I. Nahandove | 00:06:01 | |||
59-008-002 | II. Aoua! | 00:03:46 | |||
59-009-003 | III. Il est doux... | 00:03:53 | |||
59-010 | Don Quichotte a Dulcinee | Komponist: Ravel, Maurice Textdichter: Morand, Paul | BBC Symphony Orchestra Bariton: Dam, José van Rock / Pop - Band (instrumental): Boulez, Pierre | ||
59-010-001 | I. Chanson romanesque | 00:02:26 | |||
59-011-002 | II. Chanson epique | 00:03:08 | |||
59-012-003 | III. Chanson a boire | 00:01:50 | |||
59-013 | Cinq Melodies populaires grecques | Komponist: Ravel, Maurice Textdichter: Michel-Dimitri Calvocoressi | BBC Symphony Orchestra Bariton: Dam, José van Rock / Pop - Band (instrumental): Boulez, Pierre | ||
59-013-001 | I. Chanson de la mariee | 00:01:27 | |||
59-014-002 | II. La-bas, vers l'eglise | 00:01:21 | |||
59-015-003 | III. Quel galant m'est comparable | 00:00:50 | |||
59-016-004 | IV. Chanson de cueilleuses de lentisques | 00:02:39 | |||
59-017-005 | V. Tout gai! | 00:00:53 | |||
60-001 | Suite for 2 Clarinets, Bass Clarinet, Violin, Viola, Cello and Piano, Op. 29 - Album Version | Komponist: Schoenberg, Arnold Textdichter: Schoenberg, Arnold | Violine: Le Dizes-Richard, Maryvonne Klavier: Petrescu, Cristian Viola: Sulem, Jean Violoncello: Strauch, Pierre Klarinette: Arrignon, Michel; Damiens, Alain; Arnaud, Guy Rock / Pop - Band (instrumental): Boulez, Pierre | ||
60-001-001 | I. Overture | 00:08:36 | |||
60-002-002 | II. Tanzschritte | 00:07:24 | |||
60-003-003 | III. Thema mit Variationen | 00:06:04 | |||
60-004-004 | IV. Gigue | 00:07:21 | |||
60-005 | Verklärte Nacht, Sextet for 2 Violins, 2 Violas and 2 Cellos, Op. 4 | Komponist: Schoenberg, Arnold | Ensemble Intercontemporain Violine: Linale, Charles-Andre; Le Dizes-Richard, Maryvonne Viola: Sulem, Jean; Knox, Garth Violoncello: Muller, Philippe; Strauch, Pierre | 00:29:16 | |
61-001 | Concerto for Violin and Orchestra (To the Memory of an Angel) - Instrumental | Arrangeur: Berg, Alban | London Symphony Orchestra / Boulez, Pierre Violine: Zukerman, Pinchas Rock / Pop - Band (instrumental): Boulez, Pierre | ||
61-001-001 | I. Andante, Allegretto | 00:11:37 | |||
61-002-002 | II. Allegro, Adagio | 00:15:24 | |||
61-003 | Three Pieces for Orchestra, Op. 6 (Instrumental) | Komponist: Berg, Alban | Boulez, Pierre | ||
61-003-001 | I- Präludium | 00:04:48 | |||
61-004-002 | II- Reigen | 00:05:17 | |||
61-005-003 | III- Marsch | 00:09:46 | |||
62-001 | Le Marteau Sans Maitre - Live Version | Komponist: Boulez, Pierre | de L'Ensemble InterContemporian, Membres Flöte: Beauregard, Lawrence Gitarre: Ghirardi, Marie-Therese Mezzosopran: Laurence, Elizabeth Viola: Sulem, Jean Percussion: Cerutti, Michel Xylophon: Ciampolini, Daniel Rock / Pop - Band (instrumental): Boulez, Pierre | ||
62-001-001 | Avant L'Artisanat Furieux - Live Version | 00:01:48 | |||
62-002-002 | Commentaire I de 'Bourreaux de Solitude' - Live Version | 00:04:28 | |||
62-003-003 | L'Artisanat Furieux - Live Version | 00:02:29 | |||
62-004-004 | Commentaire II de 'Bourreaux de Solitude' - Live Version | 00:04:04 | |||
62-005-005 | Bel Edifice Et Les Pressentiments, Premiere - Live Version | 00:03:46 | |||
62-006-006 | Bourreaux de Solitude - Live Version | 00:04:37 | |||
62-007-007 | Apres L'Artisanat Furieux - Live Version | 00:01:01 | |||
62-008-008 | Commentaire III de 'Bourreaux de Solitude' - Live Version | 00:05:56 | |||
62-009-009 | Bel Edifice Et Les Pressentiments, Double - Live Version | 00:08:27 | |||
62-010 | II Notations Pour Piano - Live Version | Komponist: Boulez, Pierre | Klavier: Chen, Pi-Hsien | 00:09:18 | |
62-011 | III Structures Pour Deux Pianos, Livre II - Live Version | Komponist: Boulez, Pierre | Klavier: Chen, Pi-Hsien; Wambach, Bernhard | 00:21:04 | |
63-001 | Friede Auf Erden, Op. 13 | Komponist: Schoenberg, Arnold | BBC Singers / Joly, Simon Rock / Pop - Band (instrumental): Boulez, Pierre | 00:09:05 | |
63-002 | Kol Nidre, Op. 39 | Komponist: Schoenberg, Arnold | BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:12:38 | |
63-003 | Drei Volkslieder, Op. 49 | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Singers Rock / Pop - Band (instrumental): Boulez, Pierre | ||
63-003-001 | Es gingen zwei Gespielen gut | 00:03:30 | |||
63-004-002 | Der Mai tritt ein mit Freuden | 00:02:48 | |||
63-005-003 | Mein Herz in steten Treuen | 00:04:15 | |||
63-006 | Zwei Kanons | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Singers Rock / Pop - Band (instrumental): Boulez, Pierre | ||
63-006-001 | Wenn der schwer Gedruckte klagt | 00:00:48 | |||
63-007-002 | O dass der Sinnen doch so viele sind! | 00:02:43 | |||
63-008 | Drei Volkslieder | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Singers Rock / Pop - Band (instrumental): Boulez, Pierre | ||
63-008-001 | Es gingen zwei Gespielen gut | 00:03:56 | |||
63-009-002 | Herzlieblich Lieb, durch Scheiden | 00:01:47 | |||
63-010-003 | Schein uns, du liebe Sonne | 00:04:07 | |||
64-001 | Vier Stücke, Op. 27 | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Singers / Members of The London Sinfonietta Violine: Liddell, Nona Mandoline: Ellis, James Violoncello: van Kampen, Christopher Klarinette: Collind, Michael Rock / Pop - Band (instrumental): Boulez, Pierre | ||
64-001-001 | Unentrinnbar | 00:01:36 | |||
64-002-002 | Du sollst nicht, du musst | 00:01:27 | |||
64-003-003 | Mond und Menschen | 00:03:12 | |||
64-004-004 | Der Wunsch des Liebhabers | 00:04:23 | |||
64-005 | Drei Satiren, Op. 28 | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Singers / Members of The London Sinfonietta Klavier: Constable, John Viola: Chase, Roger Violoncello: van Kampen, Christopher Rock / Pop - Band (instrumental): Boulez, Pierre | ||
64-005-001 | Am Scheideweg | 00:01:00 | |||
64-006-002 | Vielseitigkeit | 00:00:42 | |||
64-007-003 | Der neue Klassizismus | 00:09:26 | |||
64-008 | Sechs Stücke, Op. 35 | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Singers Rock / Pop - Band (instrumental): Boulez, Pierre | ||
64-008-001 | Hemmung | 00:01:45 | |||
64-009-002 | Gesetz | 00:02:45 | |||
64-010-003 | Ausdrucksweise | 00:02:49 | |||
64-011-004 | Gluck | 00:01:13 | |||
64-012-005 | Landsknechte | 00:04:01 | |||
64-013-006 | Verbundenheit | 00:02:18 | |||
64-014 | Dreimal Tausend Jahre, Op. 50A | Komponist: Schoenberg, Arnold | BBC Singers Rock / Pop - Band (instrumental): Boulez, Pierre | 00:03:06 | |
64-015 | De Profundis, Op. 50 B (Psalm 130) | Komponist: Schoenberg, Arnold | BBC Singers Rock / Pop - Band (instrumental): Boulez, Pierre | 00:04:30 | |
64-016 | Moderner Psalm, Op. 50 C | Komponist: Schoenberg, Arnold | Boulez, Pierre / BBC Chorus / BBC Symphony Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | 00:05:33 | |
65-001 | IL Ritorno Degli Snovidenia per solo violoncello e piccolo orchestra (1976) | Komponist: Berio, Luciano | Ensemble Intercontemporain Violoncello: Strauch, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | 00:18:11 | |
65-002 | Chemins II (su / after 'Sequenza VI') (1967) | Komponist: Berio, Luciano | Ensemble Intercontemporain Viola: Sulem, Jean Rock / Pop - Band (instrumental): Boulez, Pierre | 00:12:34 | |
65-003 | Chemins IV (su / after 'Sequenza VII') (1975) | Komponist: Berio, Luciano | Ensemble Intercontemporain Oboe / Englisch Horn: Hadady, Laszlo Rock / Pop - Band (instrumental): Boulez, Pierre | 00:09:30 | |
65-004 | Corale (su / after 'Sequenza VIII') (1981) | Komponist: Berio, Luciano | Ensemble Intercontemporain Violine: Le Dizes-Richard, Maryvonne Rock / Pop - Band (instrumental): Boulez, Pierre | 00:15:55 | |
65-005 | Points On The Curve To Find... for piano and 22 instrumentalists (1974) | Komponist: Berio, Luciano | Ensemble Intercontemporain Klavier: Aimard, Pierre-Laurent Rock / Pop - Band (instrumental): Boulez, Pierre | 00:11:33 | |
66-001 | Sieben frühe Lieder - Voice | Komponist: Berg, Alban | Sopran: Norman, Jessye London Symphony Orchestra / Norman, Jessye / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
66-001-001 | Nacht - Voice | 00:03:48 | |||
66-002-002 | Schilflied - Voice | 00:02:27 | |||
66-003-003 | Die Nachtigall - Voice | 00:02:26 | |||
66-004-004 | Traumgekrönt - Voice | 00:02:33 | |||
66-005-005 | Im Zimmer - Voice | 00:01:15 | |||
66-006-006 | Liebesode - Voice | 00:01:38 | |||
66-007-007 | Sommertage - Voice | 00:02:09 | |||
66-008 | Fünf Orchesterlieder von Altenberg Op. 4 - Voice | Komponist: Berg, Alban | Sopran: Norman, Jessye London Symphony Orchestra / Norman, Jessye / Boulez, Pierre Rock / Pop - Band (instrumental): Boulez, Pierre | ||
66-008-001 | I. Seele, wie bist du schöner - Voice | 00:02:54 | |||
66-009-002 | II. Sahst du nach dem Gewitterregen den Wald - Voice | 00:01:13 | |||
66-010-003 | III. Über die Grenzen des All - Voice | 00:01:30 | |||
66-011-004 | IV. Nichts ist gekommen - Voice | 00:01:24 | |||
66-012-005 | V. Hier ist Friede - Voice | 00:03:39 | |||
66-013 | Jugendlieder (Selections) - Voice | Komponist: Berg, Alban | Sopran: Norman, Jessye Norman, Jessye Klavier: Schein, Ann | ||
66-013-001 | Wo der Goldregen steht - Voice | 00:02:11 | |||
66-014-002 | Lied des Schiffermädels - Voice | 00:01:10 | |||
66-015-003 | Sehnsucht II - Voice | 00:02:00 | |||
66-016-004 | Geliebte Schöne - Voice | 00:01:40 | |||
66-017-005 | Vielgeliebte schöne Frau - Voice | 00:01:15 | |||
66-018-006 | Ferne Lieder - Voice | 00:02:55 | |||
66-019-007 | Schattenleben - Voice | 00:01:45 | |||
66-020-008 | Vorüber! - Voice | 00:00:55 | |||
66-021-009 | Liebe - Voice | 00:01:14 | |||
66-022-010 | Mignon - Voice | 00:01:23 | |||
66-023-011 | Grabschrift - Voice | 00:01:23 | |||
66-024 | Zwei Lieder - Voice | Komponist: Berg, Alban | Sopran: Norman, Jessye Norman, Jessye Klavier: Schein, Ann | ||
66-024-001 | Schliesse mir die Augen beide (1907) - Voice | 00:00:55 | |||
66-025-002 | Schliesse mir die Augen beide (1925) - Voice | 00:01:32 | |||
66-026 | Er klagt, dass der Frühling so kortz blüht from Jugendlieder - Excerpt | Komponist: Berg, Alban | Sopran: Norman, Jessye Norman, Jessye Klavier: Schein, Ann | 00:00:59 | |
67-001 | Le Poeme de l'extase, Op. 54 - Instrumental | Komponist: Scriabin, Alexander | LABEL COPY CONVERSION / SONY CLASSICAL UNKNOWN Rock / Pop - Band (instrumental): LABEL COPY CONVERSION / SONY CLASSICAL UNKNOWN | ||
67-001-001 | Andante languido - Allegro volando - Lento - - Instrumental | 00:03:38 | |||
67-002-002 | Allegro non troppo - Allegro - Allegro dramatico - Lento - Allegro volando - - Instrumental | 00:10:33 | |||
67-003-003 | Allegro - Scherzando - Allegro molto. Leggerissimo. Volando - Instrumental | 00:07:12 | |||
67-004 | Four Pieces, Op. 12 (Sz 51) | Komponist: Bartók, Béla Regisseur: Ross, Hugh | Rock / Pop - Band (instrumental): Boulez, Pierre | ||
67-004-001 | I. Preludio | 00:07:44 | |||
67-005-002 | II. Scherzo | 00:05:59 | |||
67-006-003 | III. Intermezzo | 00:04:27 | |||
67-007-004 | IV. Marcia funebre | 00:04:45 | |||
67-008 | Three Village Scenes (Tri dedinske sceny) (Sz 79) | Komponist: Bartók, Béla Regisseur: Kaplan, Abraham | Boulez, Pierre / Camerata Singers / New York Philharmonic Orchestra Rock / Pop - Band (instrumental): Boulez, Pierre | ||
67-008-001 | Wedding | 00:03:55 | |||
67-009-002 | Lullaby | 00:04:50 | |||
67-010-003 | Lad's Dance | 00:02:47 | |||
67-011 | Suite No. 1 pour petit orchestre / for small Orchestra (from 5 Easy Piano Pieces for piano duet, 1917) - Instrumental | Komponist: Stravinsky, Igor Regisseur: Boulez, Pierre | Ensemble Intercontemporain | ||
67-011-001 | I. Andante | 00:01:04 | |||
67-012-002 | II. Napolitana | 00:01:05 | |||
67-013-003 | III. Espanola | 00:00:56 | |||
67-014-004 | IV. Balalaika | 00:01:02 | |||
67-015 | c526 - Instrumental (Live) | Komponist: Stravinsky, Igor Regisseur: Boulez, Pierre | Boulez, Pierre | ||
67-015-001 | I. Marche (Live) | 00:01:12 | |||
67-016-002 | II. Valse (Live) | 00:01:56 | |||
67-017-003 | III. Polka (Live) | 00:00:55 | |||
67-018-004 | IV. Galop (Live) | 00:01:52 |